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Barok IX(17-18)2002 - Historia wersji
2026-04-26T22:14:03Z
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Olesia o 15:25, 14 lis 2013
2013-11-14T15:25:43Z
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<td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td>
<td colspan='2' style="background-color: white; color:black;">Wersja z 15:25, 14 lis 2013</td>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">        </del>Przejdź do [[Barok]] lub [[:Kategoria:Spisy treści 2002|Spisy treści 2002]]<br /></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Przejdź do [[Barok]] lub [[:Kategoria:Spisy treści 2002|Spisy treści 2002]]<br /></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">        ---- </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Image:Barok_17-18_2002.<del class="diffchange diffchange-inline">jpg</del>|thumb|160px|okładka numeru<br /> 17-18/2002]]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[Image:Barok_17-18_2002.<ins class="diffchange diffchange-inline">jpeg</ins>|thumb|160px|okładka numeru<br /> 17-18/<ins class="diffchange diffchange-inline">2002]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''ROZPRAWY I ESEJE'''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Mariusz Karpowicz – Andrea Spezza – architekt nadworny Lubomirskich</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Bożena Steinborn – Malarz nadworny króla. Znajomi i finanse Daniela Schultza </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Małgorzata Wereszczyńska-Duch – „Cnota z fortuną rozno z sobą chodzą/ A nigdy w jednym gmachu się nie zgodzą” – walka Fortuny z Cnotą w wybranych utworach Jana Dantyszka, Jana Kochanowskiego i Stanisława Herakliusza Lubomirskiego</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Estera Lasocińska – O pojęciu wielkiego umysłu i cnocie wielkomyślności. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Stoicyzm i jego związki z etyką Arystotelesa w literaturze polskiej XVII wieku</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Jacek Głażewski – Czy istniała „Czwarta księga” Dworzanek Jana Gawińskiego</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Małgorzata Trębska – Mowy weselne na tle staropolskiego obrzędu weselnego. Na podstawie rękopiśmiennego zbioru Penu synopticum Stanisława Różyckiego</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Janusz Pelc – Kontynuacje i nowatorstwo w kulturze pierwszej Rzeczypospolitej. Myśli na początek nowego tysiąclecia</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''INEDITA I PROBLEMY INEDITÓW'''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Małgorzata Trębska, Katarzyna Wilk – Pieśni światowe z rękopisu Biblioteki Baworowskich (sygn. 1294/II) cz. III</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''RECENZJE I NOTY'''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Krystyna Stasiewicz – Zmysłowa i elokwentna prowincjuszka na staropolskim Parnasie. Rzecz o Elżbiecie Drużbackiej i nie tylko... (Magdalena Piskała)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Iwona Maciejewska – Narracja w polskim romansie barokowym (Małgorzata Wereszczyńska-Duch)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Włodzimierz Zientara – Sarmatia Europeana oder Sarmatia Asiana. Polen in den Deutschsprachigen druckwerken des 17. Jahrhunderts (Maciej Ptaszyński)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Aleksandra Oszczędna – Poeta Wazów. Studia o okolicznościowej poezji Stanisława grochowskiego (1542-1612) (Bogusław Pfeiffer)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Marta Pieniążek-Samek – Przemiany kolegiaty (obecnie katedry) Kieleckiej w epoce baroku w świetle inwentarzy (Jakub A. Lewicki)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Zbigniew Morsztyn – Emblemata (Adam Karpiński)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''KRONIKA'''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Sztuka holenderska XVII w. Malarstwo, rzeźba, rzemiosło artystyczne. Wystawa, Amsterdam, Rijksmuseum, 15 kwietnia – 19 września (Michał Jachuła)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Urodziny profesora Janusza Tazbira – Warszawa 5 sierpnia 2001 r. (Janusz Pelc)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Jubileusz profesora Andrzeja Rottermunda – Warszawa Zamek Królewski, 27 października 2001 r. (Wanda Wyganowska)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Barok polski wobec Europy. Kierunki dialogu. Międzynarodowa interdyscyplinarna konferencja naukowa, Radziejowice, 13-15 maja 2002 r. (Jacek Głażewski)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Altomonte. Wystawa, Zamek Mirabell, Salzburg, 14 maja – 15 września 2002 r. (Mariusz Karpowicz)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Odczyt i wykład prof. Sergieja I. Nikołajewa. Wydz. Polonistyki Uniwersytetu Warszawskiego, 16-17 października 2002 r. (Maria Wojtkowska)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">[[Kategoria:Spisy treści </ins>2002]]</div></td></tr>
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Olesia
http://katalog.czasopism.pl/index.php?title=Barok_IX(17-18)2002&diff=53185&oldid=prev
Olesia: Utworzył nową stronę „ Przejdź do Barok lub Spisy treści 2002<br /> ---- [[Image:Barok_17-18_2002.jpg|thumb|160px|okładka numeru<...”
2013-11-14T15:20:12Z
<p>Utworzył nową stronę „ Przejdź do <a href="/index.php/Barok" title="Barok">Barok</a> lub <a href="/index.php/Kategoria:Spisy_tre%C5%9Bci_2002" title="Kategoria:Spisy treści 2002">Spisy treści 2002</a><br /> ---- [[Image:Barok_17-18_2002.jpg|thumb|160px|okładka numeru<...”</p>
<p><b>Nowa strona</b></p><div> Przejdź do [[Barok]] lub [[:Kategoria:Spisy treści 2002|Spisy treści 2002]]<br /><br />
---- <br />
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[[Image:Barok_17-18_2002.jpg|thumb|160px|okładka numeru<br /> 17-18/2002]]</div>
Olesia