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Czas Kultury 5/2009 - Historia wersji
2026-05-13T10:44:29Z
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Juni o 16:11, 9 gru 2009
2009-12-09T16:11:53Z
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<td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td>
<td colspan='2' style="background-color: white; color:black;">Wersja z 16:11, 9 gru 2009</td>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:CzK_5_09.jpg |thumb|160px|okładka numeru 5/2009]]<br /></div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:CzK_5_09.jpg |thumb|160px|okładka numeru 5/2009]]<br /></div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><b><del class="diffchange diffchange-inline">Rewolucję</del></b>, <del class="diffchange diffchange-inline">jakiej dokonał </del><b><del class="diffchange diffchange-inline">Karol Darwin</del></b> <del class="diffchange diffchange-inline">swoim dziełem „O powstawaniu gatunków“ </del>(<del class="diffchange diffchange-inline">1859</del>) <del class="diffchange diffchange-inline">porównuje się czasem </del>z <del class="diffchange diffchange-inline">przewrotem kopernikańskim</del>. <del class="diffchange diffchange-inline">Po geocentryzmie pada antropocentryzm</del>. <del class="diffchange diffchange-inline">Oto gatunek ludzki przypadkiem pojawił się w wyniku ewolucji </del>i – <del class="diffchange diffchange-inline">być może – kiedyś zniknie ze świata zamieszkiwanego przez jego rozlicznych roślinnych</del>, <del class="diffchange diffchange-inline">zwierzęcych</del>, <del class="diffchange diffchange-inline">bakteryjnych </del>i <del class="diffchange diffchange-inline">innych krewnych</del>, <del class="diffchange diffchange-inline">którzy bynajmniej </del>nie <del class="diffchange diffchange-inline">są mu „z natury” poddani</del>. <del class="diffchange diffchange-inline">Wiele cech</del>, <del class="diffchange diffchange-inline">które uważano wcześniej za wyłącznie ludzkie</del>, <del class="diffchange diffchange-inline">zaczęto odnajdywać również </del>w <del class="diffchange diffchange-inline">królestwach zwierząt</del>, <del class="diffchange diffchange-inline">a nawet roślin</del>. <del class="diffchange diffchange-inline">Organizacja jednostek w społeczność</del>, <del class="diffchange diffchange-inline">zachowania altruistyczne</del>, <del class="diffchange diffchange-inline">finezja ornamentu </del>– <del class="diffchange diffchange-inline">przestały być postrzegane jako zdolności i cechy </del>dla nas <del class="diffchange diffchange-inline">tylko charakterystyczne</del>. <del class="diffchange diffchange-inline">Świat nie</del>-<del class="diffchange diffchange-inline">ludzkich organizmów otworzył się jako nieprzebrana inspiracja nie tylko w badaniach przyrodniczych</del>, <del class="diffchange diffchange-inline">ale też w architekturze</del>, <del class="diffchange diffchange-inline">literaturze</del>, <del class="diffchange diffchange-inline">filozofii</del>, <del class="diffchange diffchange-inline">psychologii </del>i <del class="diffchange diffchange-inline">sztuce</del>. <br /></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><b><ins class="diffchange diffchange-inline">[R]EWOLUCJA</ins></b> <ins class="diffchange diffchange-inline"><br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Reiner Maria Matysik <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Referendum: O legalizację wspólnego potomstwa ludzi i ssaków naczelnych. O powstanie wspólnoty reprodukcyjnej <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Krzysztof Łastowski <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Dwa wieki teorii ewolucji <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Bartosz Gałązka <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Małpa na pustyni</ins>, <ins class="diffchange diffchange-inline">czyli po co dziś czytać Darwina? <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Gwidon Famułka <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Innego końca ewolucji nie będzie <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Mariusz Weiss <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Ewolucja i etyka <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Agnieszka Gajewska <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Feminizm spotyka Charlesa Darwina <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Małgorzata Radkiewicz <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">„Anioły i owady” wiktoriańskiej Anglii <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Gabriela Świtek <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Gatunki, typy, formy, style. O morfologii i anatomii porównawczej w historii architektury <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Krzysztof Abriszewski <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Śmierć płyty kompaktowej i ewolucja świata społecznego <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Jan Gondowicz <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Superman zbereźnik <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><b><ins class="diffchange diffchange-inline">DUNIN WĄSOWICZ</ins></b><ins class="diffchange diffchange-inline"><br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">W osiemnastolecie istnienia „Lampy </ins>(<ins class="diffchange diffchange-inline">i Iskry Bożej</ins>)<ins class="diffchange diffchange-inline">” </ins>z <ins class="diffchange diffchange-inline">Pawłem Dunin-Wąsowiczem rozmawiają Emilia Kledzik i Joanna Roszak <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Portret wydawcy z czasów dojrzałości <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"><b>POEZJA</b><br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Jan Kasper <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Wiersze nowe z książki „Widok na dolinę” / Wolne miejsca / Przerwa w podróży / Wyraj / Walka karnawału z postem / Krakanie <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"><b>PROZA</b><br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Filip Cyprowski <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Poranek kolaboranta <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"><b>WYDARZENIA</b><br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Z Christianem Boltanskim rozmawia Marek Wasilewski <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Zakład z diabłem <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Z Magdaleną Sawon rozmawia Ewa Wójtowicz <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Kwestia czasu <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Ewa Wójtowicz <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Symbioza sztuki i technologii / Ars Electronica 2009, „Human Nature”, Linz 3–8</ins>.<ins class="diffchange diffchange-inline">09.2009 <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">O twórczości Aliny Szapocznikow, potrzebie reinterpretacji sztuki lat 60</ins>. i <ins class="diffchange diffchange-inline">70. XX wieku, a także o badaniach nad archiwami z Joanną Mytkowską i Agatą Jakubowską rozmawia Joanna Turowicz <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Niezgrabne przedmioty pięknych artystek <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Jan Kowalski <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Political Maximal? / „Political/Minima”, kurator Klaus Biesenbach, ms2, Łódź 18.06. </ins>– <ins class="diffchange diffchange-inline">23.08.2009 <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Tomasz Bombrych <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Łódź czterech kultur / 8. Festiwal Dialogu Czterech Kultur</ins>, <ins class="diffchange diffchange-inline">Łódź 8–13.09.2009 <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"><b>RECENZJE I OMÓWIENIA</b><br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Krzysztof Hoffmann <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Rorty krytyczny / Richard Rorty</ins>, <ins class="diffchange diffchange-inline">„Filozofia jako polityka kulturalna”, przełożył </ins>i <ins class="diffchange diffchange-inline">przedmową poprzedził Bogdan Baran <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Adam Adamczyk <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Wizja oczekiwała w każdej aurze / Jean-Pierre Richard</ins>, <ins class="diffchange diffchange-inline">„Poezja i głębia”, przekład i posłowie Tomasz Swoboda <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Magdalena Bednarek <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Jeśli Boga </ins>nie <ins class="diffchange diffchange-inline">ma… / Peter von Matt, „Intryga</ins>. <ins class="diffchange diffchange-inline">Teoria i praktyka podstępu w literaturze”</ins>, <ins class="diffchange diffchange-inline">przekład Izabela Sellmer i Arkadiusz Żychliński <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Michał Larek <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Przemyśleć to</ins>, <ins class="diffchange diffchange-inline">co się wydarzyło </ins>w <ins class="diffchange diffchange-inline">życiu / Bernhard Schlink</ins>, <ins class="diffchange diffchange-inline">„Lektor”, przekład Karolina Niedenthal <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Elżbieta Winiecka <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Znaki, pozory, urojenia / Maciej Melecki, „Zawsze wszędzie indziej (wybór wierszy z lat 1995–2005)”, wybór i posłowie Krzysztof Siwczyk <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Inez Okulska <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Grochola to dobra pisarka / Katarzyna Grochola, „Kryształowy Anioł” <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Marek Wasilewski <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Poszło z dymem / „Dym</ins>. <ins class="diffchange diffchange-inline">Powszechna historia palenia”</ins>, <ins class="diffchange diffchange-inline">redakcja Sander L. Gilman i Zhou Xun</ins>, <ins class="diffchange diffchange-inline">przekład Jagoda Sochoń-Jasnorzewska <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Marek Wasilewski <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Oglądać </ins>– <ins class="diffchange diffchange-inline">nie czytać! / Ian Jeffrey, „Jak czytać fotografię. Lekcje mistrzów fotografii”, przekład Jakub Jedliński <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Łukasz Saturczak <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Codziennie filmy były </ins>dla nas <ins class="diffchange diffchange-inline">jak Biblia / Piotr Marecki, „Kino niezależne w Polsce 1989–2009</ins>. <ins class="diffchange diffchange-inline">Historia mówiona” <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Łukasz Saturczak <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Widoki dzikie, groteskowe i obce / John Maxwell Coetzee, „Białe pisarstwo. O literackiej kulturze Afryki Południowej” <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Adam Adamczyk <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Wybitna i niewdzięczna / Bruckner, „Symphonie nr 5”, Orchestre des Champs</ins>-<ins class="diffchange diffchange-inline">élysées</ins>, <ins class="diffchange diffchange-inline">dyrekcja Philippe Herreweghe <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Jerzy Wiśniewski <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Znowu znakomity / G. B. Fontana</ins>, <ins class="diffchange diffchange-inline">M. Ucellini</ins>, <ins class="diffchange diffchange-inline">B. Storace</ins>, <ins class="diffchange diffchange-inline">T. Merula, S. Rossi, D. Castello, A. Piccinini, Maurice Steger (flauto) & Ensemble, „Venice 1625. Sonate, Symphonie, Ciaccone, Canzone & Toccate” <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Witold Paprocki <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Kultowe </ins>i <ins class="diffchange diffchange-inline">fantastyczne / Monteverdi, „Teatro d’Amore”, L’Arpeggiata, dyrekcja Christina Pluhar <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"><b>FELIETONY</b><br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Łukasz Grodziński <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Przegląd prasy / Między pismami – idee <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Edward Pasewicz <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Podręcznik do leżenia / Polònia <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Agata Araszkiewicz <br /></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Cover story / Życie we mnie nie jest moje</ins>. <ins class="diffchange diffchange-inline">(R)ewolucje i met(r)amorfozy </ins><br /></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Ponadto w numerze rozmowa z <b>Pawłem Duninem-Wąsowiczem</b>, którą przeprowadziły <b>Emilia Kledzik</b> i <b>Joanna Roszak</b>, dyskusja <b>Joanny Turowicz, Agaty Jakubowskiej i Joanny Mytkowskiej</b> o twórczości <b>Aliny Szapocznikow</b>, omówienie tegorocznej edycji Festiwalu Dialogu 4 Kultur oraz felietony <b>Agaty Araszkiewicz</b> i <b>Edwarda Pasewicza</b> i pierwszy odcinek przeglądu prasy „Między pismami”. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategoria:Spisy treści 2009]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategoria:Spisy treści 2009]]</div></td></tr>
</table>
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http://katalog.czasopism.pl/index.php?title=Czas_Kultury_5/2009&diff=39514&oldid=prev
Kaktus: Nowa strona: Przejdź do Czas Kultury lub Spisy treści 2009 ---- okładka numeru 5/2009<br /> <b>Rewolucję</b>, jakie...
2009-12-08T16:29:35Z
<p>Nowa strona: Przejdź do <a href="/index.php/Czas_Kultury" title="Czas Kultury"> Czas Kultury </a> lub <a href="/index.php/Kategoria:Spisy_tre%C5%9Bci_2009" title="Kategoria:Spisy treści 2009">Spisy treści 2009</a> ---- <a href="/index.php/Plik:CzK_5_09.jpg" title="Plik:CzK 5 09.jpg">okładka numeru 5/2009</a><br /> <b>Rewolucję</b>, jakie...</p>
<p><b>Nowa strona</b></p><div>Przejdź do [[ Czas Kultury ]] lub [[:Kategoria:Spisy treści 2009|Spisy treści 2009]]<br />
----<br />
[[Image:CzK_5_09.jpg |thumb|160px|okładka numeru 5/2009]]<br /><br />
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<b>Rewolucję</b>, jakiej dokonał <b>Karol Darwin</b> swoim dziełem „O powstawaniu gatunków“ (1859) porównuje się czasem z przewrotem kopernikańskim. Po geocentryzmie pada antropocentryzm. Oto gatunek ludzki przypadkiem pojawił się w wyniku ewolucji i – być może – kiedyś zniknie ze świata zamieszkiwanego przez jego rozlicznych roślinnych, zwierzęcych, bakteryjnych i innych krewnych, którzy bynajmniej nie są mu „z natury” poddani. Wiele cech, które uważano wcześniej za wyłącznie ludzkie, zaczęto odnajdywać również w królestwach zwierząt, a nawet roślin. Organizacja jednostek w społeczność, zachowania altruistyczne, finezja ornamentu – przestały być postrzegane jako zdolności i cechy dla nas tylko charakterystyczne. Świat nie-ludzkich organizmów otworzył się jako nieprzebrana inspiracja nie tylko w badaniach przyrodniczych, ale też w architekturze, literaturze, filozofii, psychologii i sztuce. <br /><br />
<br />
Ponadto w numerze rozmowa z <b>Pawłem Duninem-Wąsowiczem</b>, którą przeprowadziły <b>Emilia Kledzik</b> i <b>Joanna Roszak</b>, dyskusja <b>Joanny Turowicz, Agaty Jakubowskiej i Joanny Mytkowskiej</b> o twórczości <b>Aliny Szapocznikow</b>, omówienie tegorocznej edycji Festiwalu Dialogu 4 Kultur oraz felietony <b>Agaty Araszkiewicz</b> i <b>Edwarda Pasewicza</b> i pierwszy odcinek przeglądu prasy „Między pismami”. <br />
<br />
[[Kategoria:Spisy treści 2009]]</div>
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