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<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 18:11, 28 mar 2018</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 3:</td> <td colspan="2" class="diff-lineno">Linia 3:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:Ekrany_3_16.jpg|thumb|160px|okładka numeru&lt;br/&gt; 3 (31-32) 2016]]</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:Ekrany_3_16.jpg|thumb|160px|okładka numeru&lt;br/&gt; 3 (31-32) 2016]]</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''TEMAT NUMERU: CYFROWE AKTORSTWO'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''TEMAT NUMERU: CYFROWE AKTORSTWO'''<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>4 Technologia odwraca nas od siebie | rozmowa z Jerzym Trelą</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>4 Technologia odwraca nas od siebie | rozmowa z Jerzym Trelą<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>8 Czyny mówią głośniej niż słowa. Pisanie o aktorstwie | Kent Jones</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>8 Czyny mówią głośniej niż słowa. 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Teorie filmowego aktorstwa | Kamil Kalbarczyk</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>22 W pogoni za cieniem. Teorie filmowego aktorstwa | Kamil Kalbarczyk<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''ODKRYCIA'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''ODKRYCIA'''<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>30 Rycerz pucharów | Rafał Syska</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>30 Rycerz pucharów | Rafał Syska<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>32 Manifesto | Andrzej Pitrus</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>32 Manifesto | Andrzej Pitrus<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>33 Homo sapiens | Maciej Peplinski</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>33 Homo sapiens | Maciej Peplinski<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>34 Projektantka | Joanna Łuniewicz</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>34 Projektantka | Joanna Łuniewicz<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>35 Homme Less | Konrad Gruca</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>35 Homme Less | Konrad Gruca<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>36 Jauja | Bolesław Racięski</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>36 Jauja | Bolesław Racięski<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>37 Nieprawnie | Sebastian Smoliński</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>37 Nieprawnie | Sebastian Smoliński<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>38 Korporacja | Jakub Przybyło</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>38 Korporacja | Jakub Przybyło<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''NOWE KINO'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''NOWE KINO'''<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>40 Droga Smoka. Chiński przemysł filmowy | Maja Korbecka</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>40 Droga Smoka. Chiński przemysł filmowy | Maja Korbecka<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>46 Gwiazdy: Channing Tatum. Miś XXL | Joanna Łuniewicz</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>46 Gwiazdy: Channing Tatum. Miś XXL | Joanna Łuniewicz<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>50 Postmodernistyczna symfonia filmu | Michał Zdunik</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>50 Postmodernistyczna symfonia filmu | Michał Zdunik<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>54 Jestem dla siebie wyrozumiały | rozmowa z Willemem Dafoe</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>54 Jestem dla siebie wyrozumiały | rozmowa z Willemem Dafoe<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>58 Brud na soczewce | Florian Krautkrämer</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>58 Brud na soczewce | Florian Krautkrämer<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''POMIĘDZY'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''POMIĘDZY'''<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>64 Ujęcie / Przeciwujęcie: Seryjne samobójstwa</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>64 Ujęcie / Przeciwujęcie: Seryjne samobójstwa<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>68 Felietony</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>68 Felietony<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''HISTORIA / TEORIA'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''HISTORIA / TEORIA'''<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>70 Amatorskie kluby filmowe. Zapomniany fenomen PRL ‑u | Paulina Haratyk</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>70 Amatorskie kluby filmowe. Zapomniany fenomen PRL ‑u | Paulina Haratyk<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>76 Maski Conrada Veidta | Wojciech Świdziński</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>76 Maski Conrada Veidta | Wojciech Świdziński<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>82 Odkryte w archiwach | 1936:</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>82 Odkryte w archiwach | 1936:</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Przyszłość, która (nie) nadeszła. Rok 2000 / Rzeczy, które nadejdą | Michał Lesiak</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Przyszłość, która (nie) nadeszła. Rok 2000 / Rzeczy, które nadejdą | Michał Lesiak<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>84 Aktorzy psychologiczni. Trzy interpretacje Systemu | Kamila Kołacz</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>84 Aktorzy psychologiczni. Trzy interpretacje Systemu | Kamila Kołacz<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>90 „Variety”. Kronika Hollywood | Konrad Gruca</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>90 „Variety”. Kronika Hollywood | Konrad Gruca<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>95 Powróćmy jak za dawnych lat. Polskie kino muzyczne | Krzysztof Siwoń</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>95 Powróćmy jak za dawnych lat. Polskie kino muzyczne | Krzysztof Siwoń<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>99 Kontakt wzrokowy. Kino haptyczne | Marta Stańczyk</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>99 Kontakt wzrokowy. Kino haptyczne | Marta Stańczyk<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''MAŁE EKRANY'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''MAŁE EKRANY'''<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>104 Krzyczące dziewczyny. Slasher w serialu | Amelia Wichowicz</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>104 Krzyczące dziewczyny. Slasher w serialu | Amelia Wichowicz<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>108 Seks po staroszkocku. Outlander | Joanna Łuniewicz</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>108 Seks po staroszkocku. Outlander | Joanna Łuniewicz<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>109 Złap mnie. Blef | Barbara Szczekała</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>109 Złap mnie. Blef | Barbara Szczekała<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>110 Statyści w cyfrowych plenerach | Marcin Petrowicz</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>110 Statyści w cyfrowych plenerach | Marcin Petrowicz<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>115 Opowieść bez słów. Hyper Light Drifter | Magdalena Cielecka</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>115 Opowieść bez słów. Hyper Light Drifter | Magdalena Cielecka<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>116 Pochwała destrukcji. Doom | Mateusz Felczak</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>116 Pochwała destrukcji. Doom | Mateusz Felczak<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''NAPISY KOŃCOWE'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''NAPISY KOŃCOWE'''<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>118 Mapowanie kina: Zurych. W zwierciadle złotego oka | Iwona Aleksandra Hałgas</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>118 Mapowanie kina: Zurych. W zwierciadle złotego oka | Iwona Aleksandra Hałgas<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>126 Recenzje książek</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>126 Recenzje książek<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>129 Loża boczna</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>129 Loża boczna<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>132 Krzyżówka</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>132 Krzyżówka<ins class="diffchange diffchange-inline">&lt;br/&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategoria:Spisy treści 2016]]</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategoria:Spisy treści 2016]]</div></td></tr> </table>

Mskierska http://katalog.czasopism.pl/index.php?title=EKRANy_3_(31-32)_2016&diff=60489&oldid=prev 2018-03-28T18:09:16Z

<p>Utworzył nową stronę „Przejdź do <a href="/index.php/EKRANy" title="EKRANy">EKRANy</a> lub <a href="/index.php/Kategoria:Spisy_tre%C5%9Bci_2016" title="Kategoria:Spisy treści 2016">Spisy treści 2016</a> ---- <a href="/index.php/Plik:Ekrany_3_16.jpg" title="Plik:Ekrany 3 16.jpg">okładka numeru&lt;br/&gt; 3 (31-32) 2016</a> &#039;&#039;&#039;...”</p> <p><b>Nowa strona</b></p><div>Przejdź do [[EKRANy]] lub [[: Kategoria: Spisy treści 2016|Spisy treści 2016]]<br /> ----<br /> [[Image:Ekrany_3_16.jpg|thumb|160px|okładka numeru&lt;br/&gt; 3 (31-32) 2016]]<br /> <br /> '''TEMAT NUMERU: CYFROWE AKTORSTWO'''<br /> 4 Technologia odwraca nas od siebie | rozmowa z Jerzym Trelą<br /> 8 Czyny mówią głośniej niż słowa. Pisanie o aktorstwie | Kent Jones<br /> 14 Aktor poza srebrnym ekranem | Marta Cebera<br /> 18 Aktorzy grają aktorów<br /> 22 W pogoni za cieniem. Teorie filmowego aktorstwa | Kamil Kalbarczyk<br /> <br /> '''ODKRYCIA'''<br /> 30 Rycerz pucharów | Rafał Syska<br /> 32 Manifesto | Andrzej Pitrus<br /> 33 Homo sapiens | Maciej Peplinski<br /> 34 Projektantka | Joanna Łuniewicz<br /> 35 Homme Less | Konrad Gruca<br /> 36 Jauja | Bolesław Racięski<br /> 37 Nieprawnie | Sebastian Smoliński<br /> 38 Korporacja | Jakub Przybyło<br /> <br /> '''NOWE KINO'''<br /> 40 Droga Smoka. Chiński przemysł filmowy | Maja Korbecka<br /> 46 Gwiazdy: Channing Tatum. Miś XXL | Joanna Łuniewicz<br /> 50 Postmodernistyczna symfonia filmu | Michał Zdunik<br /> 54 Jestem dla siebie wyrozumiały | rozmowa z Willemem Dafoe<br /> 58 Brud na soczewce | Florian Krautkrämer<br /> <br /> '''POMIĘDZY'''<br /> 64 Ujęcie / Przeciwujęcie: Seryjne samobójstwa<br /> 68 Felietony<br /> <br /> '''HISTORIA / TEORIA'''<br /> 70 Amatorskie kluby filmowe. Zapomniany fenomen PRL ‑u | Paulina Haratyk<br /> 76 Maski Conrada Veidta | Wojciech Świdziński<br /> 82 Odkryte w archiwach | 1936:<br /> Przyszłość, która (nie) nadeszła. Rok 2000 / Rzeczy, które nadejdą | Michał Lesiak<br /> 84 Aktorzy psychologiczni. Trzy interpretacje Systemu | Kamila Kołacz<br /> 90 „Variety”. Kronika Hollywood | Konrad Gruca<br /> 95 Powróćmy jak za dawnych lat. Polskie kino muzyczne | Krzysztof Siwoń<br /> 99 Kontakt wzrokowy. Kino haptyczne | Marta Stańczyk<br /> <br /> '''MAŁE EKRANY'''<br /> 104 Krzyczące dziewczyny. Slasher w serialu | Amelia Wichowicz<br /> 108 Seks po staroszkocku. Outlander | Joanna Łuniewicz<br /> 109 Złap mnie. Blef | Barbara Szczekała<br /> 110 Statyści w cyfrowych plenerach | Marcin Petrowicz<br /> 115 Opowieść bez słów. Hyper Light Drifter | Magdalena Cielecka<br /> 116 Pochwała destrukcji. Doom | Mateusz Felczak<br /> <br /> '''NAPISY KOŃCOWE'''<br /> 118 Mapowanie kina: Zurych. W zwierciadle złotego oka | Iwona Aleksandra Hałgas<br /> 126 Recenzje książek<br /> 129 Loża boczna<br /> 132 Krzyżówka<br /> <br /> <br /> [[Kategoria:Spisy treści 2016]]</div>

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