http://katalog.czasopism.pl/index.php?action=history&feed=atom&title=Fabularie_3_%285%29_2014 2026-05-12T16:47:11Z Historia wersji tej strony wiki MediaWiki 1.20.2 http://katalog.czasopism.pl/index.php?title=Fabularie_3_(5)_2014&diff=57635&oldid=prev 2015-10-03T14:36:25Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 14:36, 3 paź 2015</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 2:</td> <td colspan="2" class="diff-lineno">Linia 2:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:Fabularie_3(5)_14.jpg|thumb|160px|right|okładka numeru&lt;br /&gt; 3 (5) 2014]]</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:Fabularie_3(5)_14.jpg|thumb|160px|right|okładka numeru&lt;br /&gt; 3 (5) 2014]]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''Ciało'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''Ciało'''<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Aleksandra Derra, Rozpaczliwa kultura wytwarzania sensu zdyscyplinowanym ciałem. Bez końca&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Aleksandra Derra, Rozpaczliwa kultura wytwarzania sensu zdyscyplinowanym ciałem. Bez końca&lt;br /&gt;</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 11:</td> <td colspan="2" class="diff-lineno">Linia 11:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Katarzyna Lewandowska, Uśmiercona cielesność - bezlitosna sztuka Teresy Margolles&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Katarzyna Lewandowska, Uśmiercona cielesność - bezlitosna sztuka Teresy Margolles&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''Wiersz'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''Wiersz'''<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Wojciech Boros, Sanatorium. Sen&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Wojciech Boros, Sanatorium. Sen&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''Lokalność'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''Lokalność'''<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Światy równoległe, z Pawłem Nowakowskim rozmawia Emilia Walczak&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Światy równoległe, z Pawłem Nowakowskim rozmawia Emilia Walczak&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Michał Igor, Tłuste karpie nikogo nie nauczą fruwać. O tym, dlaczego lokalne życie literackie potrzebuje radykalnych zmian, albo minitraktat z socjologii literatury na podstawie aktywności Dariusza Tomasza Lebiody&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Michał Igor, Tłuste karpie nikogo nie nauczą fruwać. O tym, dlaczego lokalne życie literackie potrzebuje radykalnych zmian, albo minitraktat z socjologii literatury na podstawie aktywności Dariusza Tomasza Lebiody&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''Recenzje'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''Recenzje'''<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Karolina Sałdecka, Tu u góry bez zmian&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Karolina Sałdecka, Tu u góry bez zmian&lt;br /&gt;</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 26:</td> <td colspan="2" class="diff-lineno">Linia 26:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Emilia Walczak, Tyle przyjemności&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Emilia Walczak, Tyle przyjemności&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''Wiersz'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''Wiersz'''<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Zuzanna Bartoszek, (***) ''Kołdra pachnie obozem sportowym''&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Zuzanna Bartoszek, (***) ''Kołdra pachnie obozem sportowym''&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''Proza'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''Proza'''<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Joanna Lech, Rycerska 13&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Joanna Lech, Rycerska 13&lt;br /&gt;</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 36:</td> <td colspan="2" class="diff-lineno">Linia 36:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Victor Ficnerski, Trzy prozy: Widok z okna w kuchni, Najpiękniejsze lata panny M., Szalony Koń&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Victor Ficnerski, Trzy prozy: Widok z okna w kuchni, Najpiękniejsze lata panny M., Szalony Koń&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''Wystawa Sztuki Współczesnej'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''Wystawa Sztuki Współczesnej'''<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Mediations Biennale - mediacje pomiędzy &quot;nigdzie&quot; a &quot;tutaj&quot;&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Mediations Biennale - mediacje pomiędzy &quot;nigdzie&quot; a &quot;tutaj&quot;&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''Fabularie Blisko'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''Fabularie Blisko'''<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Natalia Nazaruk, Syreny&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Natalia Nazaruk, Syreny&lt;br /&gt;</div></td></tr> </table>

Talitha http://katalog.czasopism.pl/index.php?title=Fabularie_3_(5)_2014&diff=57628&oldid=prev 2015-10-03T14:20:26Z

<p>Utworzył nową stronę „Przejdź do <a href="/index.php/Fabularie" title="Fabularie">Fabularie</a> lub <a href="/index.php/Kategoria:Spisy_tre%C5%9Bci_2014" title="Kategoria:Spisy treści 2014">Spisy treści 2014</a>&lt;br /&gt; ---- [[Image:Fabularie_3(5)_14.jpg|thumb|160px|right|okładka numeru&lt;br /&gt; 3...”</p> <p><b>Nowa strona</b></p><div>Przejdź do [[Fabularie]] lub [[:Kategoria:Spisy treści 2014|Spisy treści 2014]]&lt;br /&gt;<br /> ----<br /> [[Image:Fabularie_3(5)_14.jpg|thumb|160px|right|okładka numeru&lt;br /&gt; 3 (5) 2014]]<br /> '''Ciało'''<br /> <br /> Aleksandra Derra, Rozpaczliwa kultura wytwarzania sensu zdyscyplinowanym ciałem. Bez końca&lt;br /&gt;<br /> Filip Fierek, Ciało książki. W obronie druku&lt;br /&gt;<br /> Marcin Karnowski, Strych&lt;br /&gt;<br /> Przemysław Nowakowski, O niektórych kłopotach z doświadczeniem cielesnym&lt;br /&gt;<br /> Filip Fierek, Monstrum we władzy wzroku&lt;br /&gt;<br /> Katarzyna Lewandowska, Uśmiercona cielesność - bezlitosna sztuka Teresy Margolles&lt;br /&gt;<br /> <br /> '''Wiersz'''<br /> <br /> Wojciech Boros, Sanatorium. Sen&lt;br /&gt;<br /> <br /> '''Lokalność'''<br /> <br /> Światy równoległe, z Pawłem Nowakowskim rozmawia Emilia Walczak&lt;br /&gt;<br /> Michał Igor, Tłuste karpie nikogo nie nauczą fruwać. O tym, dlaczego lokalne życie literackie potrzebuje radykalnych zmian, albo minitraktat z socjologii literatury na podstawie aktywności Dariusza Tomasza Lebiody&lt;br /&gt;<br /> <br /> '''Recenzje'''<br /> <br /> Karolina Sałdecka, Tu u góry bez zmian&lt;br /&gt;<br /> Emilia Walczak, Nisza niezwykle obszerna&lt;br /&gt;<br /> Emilia Walczak, Tyle przyjemności&lt;br /&gt;<br /> <br /> '''Wiersz'''<br /> <br /> Zuzanna Bartoszek, (***) ''Kołdra pachnie obozem sportowym''&lt;br /&gt;<br /> <br /> '''Proza'''<br /> <br /> Joanna Lech, Rycerska 13&lt;br /&gt;<br /> Wojciech Panasiuk, Warszawa-sen&lt;br /&gt;<br /> Victor Ficnerski, Trzy prozy: Widok z okna w kuchni, Najpiękniejsze lata panny M., Szalony Koń&lt;br /&gt;<br /> <br /> '''Wystawa Sztuki Współczesnej'''<br /> <br /> Mediations Biennale - mediacje pomiędzy &quot;nigdzie&quot; a &quot;tutaj&quot;&lt;br /&gt;<br /> <br /> '''Fabularie Blisko'''<br /> <br /> Natalia Nazaruk, Syreny&lt;br /&gt;<br /> Marta Kapelińska, Ekstradycja&lt;br /&gt;<br /> Aleksandra Szwagrzyk, [Nie_rozkodowałam]: ''[DROGI_ZAKODOWANY]'' Ewy Piątek&lt;br /&gt;<br /> <br /> [[Kategoria: Spisy treści 2014]]</div>

Talitha