http://katalog.czasopism.pl/index.php?action=history&feed=atom&title=Fragile_2_%282%29_2008 2026-04-23T03:43:02Z Historia wersji tej strony wiki MediaWiki 1.20.2 http://katalog.czasopism.pl/index.php?title=Fragile_2_(2)_2008&diff=36742&oldid=prev 2009-04-26T18:42:46Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 18:42, 26 kwi 2009</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 6:</td> <td colspan="2" class="diff-lineno">Linia 6:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>* Czy komputer może pisać wiersze? Kilka uwag o eksperymentalnej poezji stochastycznej - Joanna Wrycza</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>* Czy komputer może pisać wiersze? Kilka uwag o eksperymentalnej poezji stochastycznej - Joanna Wrycza</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>* Którędy do literatury nowomedialnej? - Agnieszka Przybyszewska</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>* <ins class="diffchange diffchange-inline">[[Fragile – Agnieszka Przybyszewska, KTÓRĘDY DO LITERATURY NOWOMEDIALNEJ?|</ins>Którędy do literatury nowomedialnej?<ins class="diffchange diffchange-inline">]] </ins>- <ins class="diffchange diffchange-inline">[[Przybyszewska Agnieszka|</ins>Agnieszka Przybyszewska<ins class="diffchange diffchange-inline">]]</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>* Blogomania - Małgorzata Lebda</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>* Blogomania - Małgorzata Lebda</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>* Matki metafor (Teksty wirtualnegomacierzyństwa) - Anna Kapusta</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>* Matki metafor (Teksty wirtualnegomacierzyństwa) - Anna Kapusta</div></td></tr> </table>

Gosia nadwadowska http://katalog.czasopism.pl/index.php?title=Fragile_2_(2)_2008&diff=36739&oldid=prev 2009-04-24T19:53:50Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 19:53, 24 kwi 2009</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 1:</td> <td colspan="2" class="diff-lineno">Linia 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">Literatura</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Przejdź do [[ Fragile ]] lub [[:Kategoria:Spisy treści 2008|Spisy treści 2008]] &lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">----</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">[[Image:Fragile_2_08.jpg|thumb|160px|okładka numeru 2 (2) 2008]]</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Czy komputer może pisać wiersze? Kilka uwag o eksperymentalnej poezji stochastycznej - Joanna Wrycza</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''Literatura'''</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Którędy do literatury nowomedialnej? - Agnieszka Przybyszewska</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Blogomania - Małgorzata Lebda</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Matki metafor (Teksty wirtualnegomacierzyństwa) - Anna Kapusta</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * W poszukiwaniu gorszej przyszłości - cyberpunk - Magdalena Maszkiewicz</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Polak, Hindus - dwaj poeci... Józef Baran Aśok Wadźpeji</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * utwory: Dawid Majer, Andrzej Jakub Mularczyk, Arkadiusz Stosur, Przemysław M. Kot, Bożena Boba-Dyga, Piotr Opaliński, Klaudia Krupa-Piećko</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">Sztuka</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Czy komputer może pisać wiersze? Kilka uwag o eksperymentalnej poezji stochastycznej - Joanna Wrycza</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Którędy do literatury nowomedialnej? - Agnieszka Przybyszewska</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Blogomania - Małgorzata Lebda</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Matki metafor (Teksty wirtualnegomacierzyństwa) - Anna Kapusta</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* W poszukiwaniu gorszej przyszłości - cyberpunk - Magdalena Maszkiewicz</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Polak, Hindus - dwaj poeci... Józef Baran Aśok Wadźpeji</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* utwory: Dawid Majer, Andrzej Jakub Mularczyk, Arkadiusz Stosur, Przemysław M. Kot, Bożena Boba-Dyga, Piotr Opaliński, Klaudia Krupa-Piećko</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Rzeczywistość medialna - Antoni Porczak</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'<ins class="diffchange diffchange-inline">''Sztuka'''</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Cyfrowy (nie)byt. Wymazywanie i zanikaniez perspektywy ontologii dzieła sztuki - Ewa Wójtowicz</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Uwagi o myśli estetycznej Pierre</del>'<del class="diffchange diffchange-inline">a Francastela - Krzysztof Siatka</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Muzeum w progresie - Alexandra Hołownia</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Intermedia w Krakowie - Artur Tajber</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Naprężenia, przelewania i pęknięcia - Marta Lisok</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Witamy w Twoim świecie! Czyli model kreacji w dobie mediów cyfrowych - Łukasz Białkowski</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Kamienie w sztuce. Codemanipulator® wobec pytań Agnieszki Kwiecień</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">Muzyka</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Rzeczywistość medialna - Antoni Porczak</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Cyfrowy (nie)byt. Wymazywanie i zanikaniez perspektywy ontologii dzieła sztuki - Ewa Wójtowicz</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Uwagi o myśli estetycznej Pierre'a Francastela - Krzysztof Siatka</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Muzeum w progresie - Alexandra Hołownia</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Intermedia w Krakowie - Artur Tajber</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Naprężenia, przelewania i pęknięcia - Marta Lisok</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Witamy w Twoim świecie! Czyli model kreacji w dobie mediów cyfrowych - Łukasz Białkowski</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Kamienie w sztuce. Codemanipulator® wobec pytań Agnieszki Kwiecień</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * O trzech rewolucjach w muzyce przed erą Internetu - Tomasz Gregorczyk</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>Muzyka<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Złapane w Sieć. Firmy fonograficzne w warunkach załamania się starego modelu dystrybucji muzyki - Patryk Gałuszka</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Nostalgia.m3u. Czyli dlaczego kaseciak nie był taki zły - Janusz Jabłoński</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * O laptopach, &quot;ogrodach dźwiękowych&quot;, teledyskach i &quot;Orkiestrze wertykalnej&quot;. Rozmowa z Markiem Chołoniewskim - Tomasz Gregorczyk</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * </del>Muzyka <del class="diffchange diffchange-inline">miała swoją szansę. Rozmowa z Ewą Trębacz - Bogusław Tondera</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">Teatr</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* O trzech rewolucjach w muzyce przed erą Internetu - Tomasz Gregorczyk</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Złapane w Sieć. Firmy fonograficzne w warunkach załamania się starego modelu dystrybucji muzyki - Patryk Gałuszka</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Nostalgia.m3u. Czyli dlaczego kaseciak nie był taki zły - Janusz Jabłoński</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* O laptopach, &quot;ogrodach dźwiękowych&quot;, teledyskach i &quot;Orkiestrze wertykalnej&quot;. Rozmowa z Markiem Chołoniewskim - Tomasz Gregorczyk</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Muzyka miała swoją szansę. Rozmowa z Ewą Trębacz - Bogusław Tondera</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * Didaskalia z twardego dysku. Nowe technologie a teatr - Magdalena Gałkowska</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''Teatr'''</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">&#160; &#160; * ROBOTYKA - PERFORMATYKA we współczesnym teatrze japońskim - Katarzyna Bester</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">Archeologia</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">* Didaskalia z twardego dysku. 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Redakcja http://katalog.czasopism.pl/index.php?title=Fragile_2_(2)_2008&diff=36722&oldid=prev 2009-04-23T12:58:35Z

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Akosciuszko http://katalog.czasopism.pl/index.php?title=Fragile_2_(2)_2008&diff=36721&oldid=prev 2009-04-23T12:31:14Z

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