http://katalog.czasopism.pl/index.php?action=history&feed=atom&title=Glissando_30%2F2017 2026-05-08T02:09:54Z Historia wersji tej strony wiki MediaWiki 1.20.2 http://katalog.czasopism.pl/index.php?title=Glissando_30/2017&diff=60248&oldid=prev 2018-03-23T09:39:28Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 09:39, 23 mar 2018</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 1:</td> <td colspan="2" class="diff-lineno">Linia 1:</td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Przejdź do [[Glissando]] lub [[:Kategoria:Spisy treści 2017|Spisy treści 2017]]&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">----</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Image:Glissando_30_2017.png|thumb|160px|]]</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Intro – Jan Topolski</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Intro – Jan Topolski</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Reconnaissances</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>Reconnaissances<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&#160; Kilenc null pont harom – Łukasz Kiczko</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&#160; Kilenc null pont harom – Łukasz Kiczko</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 13:</td> <td colspan="2" class="diff-lineno">Linia 18:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>The Left ear of the Volcano – Małgorzata Greszta</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>The Left ear of the Volcano – Małgorzata Greszta</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Maps</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>Maps<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>St. Petersburg’s contemporary Music context: Genius Loci – Lidia Ader</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>St. Petersburg’s contemporary Music context: Genius Loci – Lidia Ader</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 27:</td> <td colspan="2" class="diff-lineno">Linia 32:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Budapest’s new Underground – Lucia Udvardyova</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Budapest’s new Underground – Lucia Udvardyova</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Mirrors</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>Mirrors<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Budapeszt ♥ NY: studio Muzyki nowej 1971–1980 – Alan E. Williams, tłumaczenie: Małgorzata Hanuszkiewicz-Cnota</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Budapeszt ♥ NY: studio Muzyki nowej 1971–1980 – Alan E. Williams, tłumaczenie: Małgorzata Hanuszkiewicz-Cnota</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 47:</td> <td colspan="2" class="diff-lineno">Linia 52:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Muzyka elektroakustyczna w Jugosławii – Vladan Radovanovic, tłumaczenie: Julia Figacz</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Muzyka elektroakustyczna w Jugosławii – Vladan Radovanovic, tłumaczenie: Julia Figacz</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Silhouettes</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>Silhouettes<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Migawki z dziejów neoawangard bloku wschodniego: portret-kolaż Katalin Ladik – Antoni Michnik</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Migawki z dziejów neoawangard bloku wschodniego: portret-kolaż Katalin Ladik – Antoni Michnik</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 63:</td> <td colspan="2" class="diff-lineno">Linia 68:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Presence as Phenomenon: Alexey Shmurak – Lyubov Morozova, translated by Filip Rudnik</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Presence as Phenomenon: Alexey Shmurak – Lyubov Morozova, translated by Filip Rudnik</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Kobiety w muzyce współczesnej i elektronicznej – zapis</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Kobiety w muzyce współczesnej i elektronicznej – zapis</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Kategoria:Spisy treści 2017]]</ins></div></td></tr> </table>

FilipG1995 http://katalog.czasopism.pl/index.php?title=Glissando_30/2017&diff=60201&oldid=prev 2018-03-22T14:57:30Z

<p>Utworzył nową stronę „Intro – Jan Topolski Reconnaissances Kilenc null pont harom – Łukasz Kiczko Pre-apocalyptic Pop culture: eastern european Hauntologies – Olga Drenda Me...”</p> <p><b>Nowa strona</b></p><div>Intro – Jan Topolski<br /> <br /> Reconnaissances<br /> <br /> Kilenc null pont harom – Łukasz Kiczko<br /> <br /> Pre-apocalyptic Pop culture: eastern european Hauntologies – Olga Drenda<br /> <br /> Memory and Identity in the context of the History of Holiday Resorts. a Methodological sketch – Filip Lech<br /> <br /> Spomeniki. A visual essay – Karolina Wojciechowska<br /> <br /> The Left ear of the Volcano – Małgorzata Greszta<br /> <br /> Maps<br /> <br /> St. Petersburg’s contemporary Music context: Genius Loci – Lidia Ader<br /> <br /> Lviv contemporary music – Myroslav Trofymuk, translated by Taras Malkovych<br /> <br /> Hrup z Metelkove – The Noise from Metelkova, or How the Illegal Became the Legacy – Natalia Skoczylas<br /> <br /> Prague currents – Karolina Karnacewicz, Piotr Tkacz<br /> <br /> Bratislava – The not-so-Boring Dystopia – Andrej Kabal<br /> <br /> Budapest’s new Underground – Lucia Udvardyova<br /> <br /> Mirrors<br /> <br /> Budapeszt ♥ NY: studio Muzyki nowej 1971–1980 – Alan E. Williams, tłumaczenie: Małgorzata Hanuszkiewicz-Cnota<br /> <br /> Usłyszcie ich krzyk, czyli o hałasie wokół inwazji na Czechosłowację w 1968 roku – Adriana Borowska<br /> <br /> Strajkuj i daj głos! – Edyta Jarząb<br /> <br /> Akustyczny dziennik demonstrantki – Edyta Jarząb<br /> <br /> The Morphology of ”Popular Mechanics” – Sergey Kuryokhin<br /> <br /> Music Biennale Zagreb. an assemblage – Monika Żyła<br /> <br /> Beyond Borders. John cage, cold War Politics and artistic experimentation in the socialist Federal Republic of Yugoslavia – Miško Šuvakovic<br /> <br /> Yugo-Cage. Cage’s Reception and Diferent New Music in Serbia and Former Yugoslavia – Ivana Miladinovic Prica<br /> <br /> Muzyka elektroakustyczna w Jugosławii – Vladan Radovanovic, tłumaczenie: Julia Figacz<br /> <br /> Silhouettes<br /> <br /> Migawki z dziejów neoawangard bloku wschodniego: portret-kolaż Katalin Ladik – Antoni Michnik<br /> <br /> Komunikacja na taśmie – Jozef Malovec rozmawia z Liborem Zajíčkiem, tłumaczenie i redakcja: Jan Topolski<br /> <br /> Composing like captain Nemo – Petr Kofroň speaks to Lukáš Jiřička, translated by Kinga Szubańska<br /> <br /> Are You a Rebel? – Irinel Anghel speaks to Tomasz Kamiński<br /> <br /> Postmodern Portrait of a Renaissance Man: The Music of Boris Filanovsky – Vadim Keylin<br /> <br /> From Du Fay to Hip-Hop. The Belarusian composer Oxana Omelchuk – Beate Bartlewski, translated by Anna Carewe<br /> <br /> Presence as Phenomenon: Alexey Shmurak – Lyubov Morozova, translated by Filip Rudnik<br /> Kobiety w muzyce współczesnej i elektronicznej – zapis</div>

FilipG1995