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		<title>Kino 7-8/2006 - Historia wersji</title>
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		<id>http://katalog.czasopism.pl/index.php?title=Kino_7-8/2006&amp;diff=13523&amp;oldid=prev</id>
		<title>Skrypt importujący tekst o 23:30, 7 wrz 2005</title>
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				<updated>2005-09-07T23:30:50Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nowa strona&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
Przejdź do 	[[ Kino ]] lub 	[[:Kategoria:Spisy treści 2006|Spisy treści 2006]]&lt;br /&gt;
----&lt;br /&gt;
[[Image:233_2006-07-10.jpg|thumb|160px|okładka numeru 7-8/2006]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
	&amp;lt;b&amp;gt;REPERTUAR – PREMIERY W LIPCU I SIERPNIU&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;CANNES 2006 – NIECH ŻYJE TRADYCJONALIZM – JERZY PŁAŻEWSKI&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;WYDARZENIA&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;JOHNNY DEPP: ODWAGA W ZABAWIE – DAREK AREST&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;POKOLENIE FRUSTRATÓW – MALWINA GROCHOWSKA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;FILMOWE LATO&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;ŁAGÓW – DETOKS W ŁAGOWIE – TADEUSZ SOBOLEWSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;TORUŃ – REFLEKSYJNE FILMY STANISŁAWA RÓŻEWICZA – PIOTR ŚMIAŁOWSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;WROCŁAW – ERA NOWE HORYZONTY&lt;br /&gt;
&amp;lt;br /&amp;gt;WĘDRÓWKI POZA KONWENCJAMIA – NOWE KINO ARGENTYŃSKIE – ALEJANDRO RICAGNO &lt;br /&gt;
&amp;lt;br /&amp;gt;ZAWSZE TRZEBA BYĆ SOBĄ – ZE STANISŁAWEM LENARTOWICZEM ROZMAWIA ADAM WYŻYŃSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;IŃSKO – EKRANOWE BIOGRAFIE – KAROLINA GIEDRYS&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;ZWIERZYNIEC – NIESPOKOJNE FILMY GRZEGORZA KRÓLIKIEWICZA – TOMASZ JOPKIEWICZ&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;FESTIWALE&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;KRAKÓW – TADEUSZ SZYMA (KONKURS OGÓLNOPOLSKI, CZYLI… ZE WSZYSTKICH STRON ŚWIATA), BOŻENA JANICKA (GORSZY ŚWIAT – KONKURS MIĘDZYNARODOWY)&lt;br /&gt;
&amp;lt;br /&amp;gt;OBERHAUSEN – MALWINA GROCHOWSKA&lt;br /&gt;
&amp;lt;br /&amp;gt;EUROPEJSKI FESTIWAL FILMOWY – JAN OLSZEWSKI &lt;br /&gt;
&amp;lt;br /&amp;gt;PLANETE DOC REVIEW – IWONA CEGIEŁKÓWNA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;SPOTKANIA&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;MÁRTA MÉSZÁROS O „NTEPOCHOWANYM”&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;III MFF ŻYDOWSKIE MOTYWY – ŚWIAT UNICESTWIONY, ŚWIAT ODRODZONY – MARIA OLEKSIEWICZ&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;RECENZJE&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;u&amp;gt;W KINACH:&amp;lt;/u&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;PRZYSIĘGA&lt;br /&gt;
&amp;lt;br /&amp;gt;ŻYCIE UKRYTE W SŁOWACH&lt;br /&gt;
&amp;lt;br /&amp;gt;KLIMT&lt;br /&gt;
&amp;lt;br /&amp;gt;TERAZ JA&lt;br /&gt;
&amp;lt;br /&amp;gt;LAST DAYS&lt;br /&gt;
&amp;lt;br /&amp;gt;X-MEN: OSTATNI BASTION&lt;br /&gt;
&amp;lt;br /&amp;gt;DUBLERZY&lt;br /&gt;
&amp;lt;br /&amp;gt;SEX W BRNIE&lt;br /&gt;
&amp;lt;br /&amp;gt;PRAWDZIWA HISTORIA&lt;br /&gt;
&amp;lt;br /&amp;gt;AUTA&lt;br /&gt;
&amp;lt;br /&amp;gt;BRACIA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;u&amp;gt;KINO DOMOWE&amp;lt;/u&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;HISTORIA PRZEMOCY&lt;br /&gt;
&amp;lt;br /&amp;gt;CIEŃ WAMPIRA&lt;br /&gt;
&amp;lt;br /&amp;gt;LOVERBOY&lt;br /&gt;
&amp;lt;br /&amp;gt;PÓŁMROK&lt;br /&gt;
&amp;lt;br /&amp;gt;PARSZYWA DWUNASTKA&lt;br /&gt;
&amp;lt;br /&amp;gt;CO SIĘ ZDARZYŁO BABY JANE?&lt;br /&gt;
&amp;lt;br /&amp;gt;JEZEBEL&lt;br /&gt;
&amp;lt;br /&amp;gt;GET RICH OR DIE TRYING&lt;br /&gt;
&amp;lt;br /&amp;gt;BALLADA O JACKU &amp;amp;amp; ROSE&lt;br /&gt;
&amp;lt;br /&amp;gt;CZASEM W KWIETNIU&lt;br /&gt;
&amp;lt;br /&amp;gt;HUSTLE &amp;amp;amp; FLOW&lt;br /&gt;
&amp;lt;br /&amp;gt;SPACER PO LINIE&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;u&amp;gt;KSIĄŻKI&amp;lt;/u&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;WAJDA – TADEUSZ LUBELSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;KLUCZE DO RZECZYWISTOŚCI. SZKICE I ROZMOWY O POLSKIM FILMIE DOKUMENTALNYM – REDAKCJA: MAŁGORZATA HENDRYKOWSKA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;POLEMIKI&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;WOKÓŁ PARADŻANOWA – ANRZEJ SŁOWICKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;VARIA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;DWIE GRZECZNE PANIENKI&lt;br /&gt;
&amp;lt;br /&amp;gt;FELIETON BOŻENY JANICKIEJ&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;PARADA I PROCESJA&lt;br /&gt;
&amp;lt;br /&amp;gt;FELIETON TADEUSZA SOBOLEWSKIEGO&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;=======================================&lt;br /&gt;
&amp;lt;br /&amp;gt;ENGLISH INDEX: CONTENTS&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;CANNES 2006&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;A CORRESPONDENCE BY JERZY PŁAŻEWSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;EVENTS&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;THE BRAVE JOHNNY DEPP AND HIS CAREER FULL OF SURPRISES&lt;br /&gt;
&amp;lt;br /&amp;gt;BY DAREK AREST&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;FRUSTRATED GENERATION&lt;br /&gt;
&amp;lt;br /&amp;gt;THE ANALYSIS OF THE SITUATION OF THE YOUNG HELMERS TRYING TO MAKE THEIR SECOND OR THIRD FEATURE&lt;br /&gt;
&amp;lt;br /&amp;gt;BY MALWINA GROCHOWSKA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;THE SUMMER OF FILMS &amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;ŁAGÓW&lt;br /&gt;
&amp;lt;br /&amp;gt;TADEUSZ SOBOLEWSKI, THE ARTISTIC DIRECTOR ON THE FILM PROGRAMME, DISCUSSIONS AND EVENTS&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;THE SUMMER OF FILMS IN TORUŃ&lt;br /&gt;
&amp;lt;br /&amp;gt;THERE IS NO PATHOS IN THE FILMS OF THE CLASSIC OF THE POLISH CINEMA, STANISŁAW RÓŻEWICZ, WRITES PIOTR ŚMIAŁOWSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;WROCŁAW, THE 6TH ERA THE NEW HORIZONS&lt;br /&gt;
&amp;lt;br /&amp;gt;TO WANDER WITHOUT CONVENTIONS. THE NEW CINEMA &lt;br /&gt;
&amp;lt;br /&amp;gt;OF ARGENTINA AS DESCRIBED BY ALEJANDRO RICAGNO &lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;ONE HAS TO BE ALWAYS HIMSELF. &lt;br /&gt;
&amp;lt;br /&amp;gt;VETERAN-DIRECTOR STANISŁAW LENARTOWICZ TALKS &lt;br /&gt;
&amp;lt;br /&amp;gt;TO ADAM WYŻYŃSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;THE SUMMER OF FILMS IN IŃSK&lt;br /&gt;
&amp;lt;br /&amp;gt;KAROLINA GIEDRYS WRITES ABOUT BIOPICS AND THE FACTS NOT SO AUTHENTIC ON THE SCREEN&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;THE SUMMER ACADEMY OF FILMS IN ZWIERZYNIEC&lt;br /&gt;
&amp;lt;br /&amp;gt;THE CHECKMATE IN FILMS OF GRZEGORZ KRÓLIKIEWICZ AS PREDICTED BY TOMASZ JOPKIEWICZ&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;FESTIVALS&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;KRAKÓW 2006&lt;br /&gt;
&amp;lt;br /&amp;gt;THE POLISH COMPETITION BY TADEUSZ SZYMA &lt;br /&gt;
&amp;lt;br /&amp;gt;THE INTERNATIONAL COMPETITION BY BOŻENA JANICKA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;OBERHAUSEN&lt;br /&gt;
&amp;lt;br /&amp;gt;FROM CINEMA TO ART GALERY. A CORRESPONDENCE &lt;br /&gt;
&amp;lt;br /&amp;gt;BY MALWINA GROCHOWSKA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;THE EUROPEAN FILM FESTWAL IN WARSAW&lt;br /&gt;
&amp;lt;br /&amp;gt;UNDERSTANDING OUR NEIGHBOURS. AŃ ESSAY BY JAN OLSZEWSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;PLANETE DOC REVIEW&lt;br /&gt;
&amp;lt;br /&amp;gt;TO BREAK A WAVE BY IWONA CEGIEŁKÓWNA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;ENCOUNTERS&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;HELMER MÁRTA MÉSZÁROS TALKS ABOUT HER POLITICAL DRAMA “A TEMETETLEN HALOTT/NIEPOCHOWANY” TO PIOTR ŚMIAŁOWSKI&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;III INTERNATIONAL FILM FESITIVAL JEWISH MOTIVES&lt;br /&gt;
&amp;lt;br /&amp;gt;THE WORLD ANNIHILATED AND THE WORLD REVIVED. AN ESSAY BY MARIA OLEKSIEWICZ&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;IN CINEMAS: REVIEWS&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;WU JI&lt;br /&gt;
&amp;lt;br /&amp;gt;LA VIDA SECRETA DE LAS PALABRAS&lt;br /&gt;
&amp;lt;br /&amp;gt;KLIMT&lt;br /&gt;
&amp;lt;br /&amp;gt;TERAZ JA&lt;br /&gt;
&amp;lt;br /&amp;gt;LAST DAYS&lt;br /&gt;
&amp;lt;br /&amp;gt;X-MEN: THEW LAST STAND&lt;br /&gt;
&amp;lt;br /&amp;gt;DUBLERZY&lt;br /&gt;
&amp;lt;br /&amp;gt;NUDA V BRNE&lt;br /&gt;
&amp;lt;br /&amp;gt;THE WORLD&amp;amp;039;S FASTEST INDIAN&lt;br /&gt;
&amp;lt;br /&amp;gt;CARS&lt;br /&gt;
&amp;lt;br /&amp;gt;BRODRE&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;HOMEMOVIES &lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;BOOKS ON FILM &lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;VARIA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;b&amp;gt;COLUMNS&amp;lt;/b&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;BOŻENA JANICKA&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;TADEUSZ SOBOLEWSKI&lt;br /&gt;
	[[Kategoria:Spisy treści 2006]]&lt;/div&gt;</summary>
		<author><name>Skrypt importujący tekst</name></author>	</entry>

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