<?xml version="1.0"?>
<?xml-stylesheet type="text/css" href="http://katalog.czasopism.pl/skins/common/feed.css?303"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="pl">
		<id>http://katalog.czasopism.pl/index.php?action=history&amp;feed=atom&amp;title=Konteksty._Polska_Sztuka_Ludowa_0%2F2014</id>
		<title>Konteksty. Polska Sztuka Ludowa 0/2014 - Historia wersji</title>
		<link rel="self" type="application/atom+xml" href="http://katalog.czasopism.pl/index.php?action=history&amp;feed=atom&amp;title=Konteksty._Polska_Sztuka_Ludowa_0%2F2014"/>
		<link rel="alternate" type="text/html" href="http://katalog.czasopism.pl/index.php?title=Konteksty._Polska_Sztuka_Ludowa_0/2014&amp;action=history"/>
		<updated>2026-04-04T05:27:09Z</updated>
		<subtitle>Historia wersji tej strony wiki</subtitle>
		<generator>MediaWiki 1.20.2</generator>

	<entry>
		<id>http://katalog.czasopism.pl/index.php?title=Konteksty._Polska_Sztuka_Ludowa_0/2014&amp;diff=55373&amp;oldid=prev</id>
		<title>Małgosia wosnitzka o 17:22, 7 wrz 2014</title>
		<link rel="alternate" type="text/html" href="http://katalog.czasopism.pl/index.php?title=Konteksty._Polska_Sztuka_Ludowa_0/2014&amp;diff=55373&amp;oldid=prev"/>
				<updated>2014-09-07T17:22:52Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr style='vertical-align: top;'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← poprzednia wersja&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Wersja z 17:22, 7 wrz 2014&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Linia 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Linia 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Przejdź do [[ Konteksty. Polska Sztuka Ludowa ]] lub [[:Kategoria:Spisy treści 2014|Spisy treści 2014]]&amp;lt;br /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Przejdź do [[ Konteksty. Polska Sztuka Ludowa ]] lub [[:Kategoria:Spisy treści 2014|Spisy treści 2014]]&amp;lt;br /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;---- &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;---- &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Image:Konteksty_0_14.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;jpeg&lt;/del&gt;|thumb|160px|okładka numeru&amp;lt;br /&amp;gt; 0/2014]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Image:Konteksty_0_14.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;jpg&lt;/ins&gt;|thumb|160px|okładka numeru&amp;lt;br /&amp;gt; 0/2014]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Kategoria: Spisy treści 2014]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Kategoria: Spisy treści 2014]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Małgosia wosnitzka</name></author>	</entry>

	<entry>
		<id>http://katalog.czasopism.pl/index.php?title=Konteksty._Polska_Sztuka_Ludowa_0/2014&amp;diff=55371&amp;oldid=prev</id>
		<title>Małgosia wosnitzka: Utworzył nową stronę „Przejdź do  Konteksty. Polska Sztuka Ludowa  lub Spisy treści 2014&lt;br /&gt; ----  [[Image:Konteksty_0_14.jpeg|thumb|160px|okład...”</title>
		<link rel="alternate" type="text/html" href="http://katalog.czasopism.pl/index.php?title=Konteksty._Polska_Sztuka_Ludowa_0/2014&amp;diff=55371&amp;oldid=prev"/>
				<updated>2014-09-07T17:19:52Z</updated>
		
		<summary type="html">&lt;p&gt;Utworzył nową stronę „Przejdź do &lt;a href=&quot;/index.php/Konteksty._Polska_Sztuka_Ludowa&quot; title=&quot;Konteksty. Polska Sztuka Ludowa&quot;&gt; Konteksty. Polska Sztuka Ludowa &lt;/a&gt; lub &lt;a href=&quot;/index.php/Kategoria:Spisy_tre%C5%9Bci_2014&quot; title=&quot;Kategoria:Spisy treści 2014&quot;&gt;Spisy treści 2014&lt;/a&gt;&amp;lt;br /&amp;gt; ----  [[Image:Konteksty_0_14.jpeg|thumb|160px|okład...”&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nowa strona&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Przejdź do [[ Konteksty. Polska Sztuka Ludowa ]] lub [[:Kategoria:Spisy treści 2014|Spisy treści 2014]]&amp;lt;br /&amp;gt;&lt;br /&gt;
---- &lt;br /&gt;
[[Image:Konteksty_0_14.jpeg|thumb|160px|okładka numeru&amp;lt;br /&amp;gt; 0/2014]]&lt;br /&gt;
[[Kategoria: Spisy treści 2014]]&lt;br /&gt;
&lt;br /&gt;
'''Volume I: Anthropology of Contemporary Culture'''&lt;br /&gt;
&lt;br /&gt;
'''Preface'''&lt;br /&gt;
&lt;br /&gt;
Zbigniew Benedyktowicz&amp;lt;br /&amp;gt; The Symbol in Ethnography&lt;br /&gt;
&lt;br /&gt;
Ludwik Stomma &amp;lt;br /&amp;gt;The Alcmene Myth&lt;br /&gt;
&lt;br /&gt;
Ryszard Kapuściński &amp;lt;br /&amp;gt;	On Memory and Its Threats [Ryszard Kapuściński Talks with Zbigniew Benedyktowicz and Dariusz Czaja	&lt;br /&gt;
&lt;br /&gt;
'''Province'''&lt;br /&gt;
&lt;br /&gt;
Czesław Robotycki&amp;lt;br /&amp;gt; 	The “Province” from an Anthropological Viewpoint Reflections from the Perspective of the Dilemmas of Cultural Communication&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja&amp;lt;br /&amp;gt; 	The Paradox of the Province	&lt;br /&gt;
&lt;br /&gt;
Zbigniew Benedyktowicz &amp;lt;br /&amp;gt;	Coming Back Home. (In Praise of the Province). The Italian Experience of Tarkovsky and Kantor	&lt;br /&gt;
&lt;br /&gt;
Maria Poprzęcka&amp;lt;br /&amp;gt; 	At Home	&lt;br /&gt;
&lt;br /&gt;
Jacek Waltoś&amp;lt;br /&amp;gt; 	The Studio – the Partially Domesticated, Portable or Transitory Home	&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja&amp;lt;br /&amp;gt; 	My Mobile Home. The Travelling Artist	&lt;br /&gt;
&lt;br /&gt;
Wiesław Kuba Szpilka 	&amp;lt;br /&amp;gt;My Province	&lt;br /&gt;
&lt;br /&gt;
'''Center, Metropolis, Cities'''&lt;br /&gt;
&lt;br /&gt;
Zbigniew Benedyktowicz&amp;lt;br /&amp;gt; 	A Phantom of the Centre of the World. A Contribution to the Anthropology of Contemporaneity	&lt;br /&gt;
&lt;br /&gt;
Ludwik Stomma&amp;lt;br /&amp;gt; 	The Beauty of Human Error	&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja 	&amp;lt;br /&amp;gt;Fragments of the Venetian Discourse	&lt;br /&gt;
&lt;br /&gt;
Justyna Chmielewska &amp;lt;br /&amp;gt;	Istanbul: Recollections from a Lost City	&lt;br /&gt;
&lt;br /&gt;
Tomasz Szerszeń 	&amp;lt;br /&amp;gt;Phantom Houses and Voyages to Nowhere	&lt;br /&gt;
&lt;br /&gt;
Wiesław Kuba Szpilka &amp;lt;br /&amp;gt;	Poor Ethnography	&lt;br /&gt;
&lt;br /&gt;
'''Ethnologist en route'''&lt;br /&gt;
&lt;br /&gt;
Jerzy S. Wasilewski 	&amp;lt;br /&amp;gt;The Secret History of Objects	&lt;br /&gt;
&lt;br /&gt;
Jerzy S. Wasilewski &amp;lt;br /&amp;gt;	People of the Taiga, the Reindeer People, the People...	&lt;br /&gt;
&lt;br /&gt;
Jerzy S. Wasilewski 	&amp;lt;br /&amp;gt;Who Says Bonjour to Whom on Mont Blanc? Attempted Anthropology of Conventional Behaviour	&lt;br /&gt;
&lt;br /&gt;
'''Anthropology of Memory'''&lt;br /&gt;
&lt;br /&gt;
Wojciech Michera 	&amp;lt;br /&amp;gt;The Homelessness of Odysseus	&lt;br /&gt;
&lt;br /&gt;
Tomasz Szerszeń &amp;lt;br /&amp;gt;	Anthropology as a Mask, a Costume, a Metaphor: the Case of Michel Leiris and Roger Caillois	&lt;br /&gt;
&lt;br /&gt;
Wojciech Michera &amp;lt;br /&amp;gt;	Image, Crypt, Interpretation	&lt;br /&gt;
&lt;br /&gt;
Jerzy S. Wasilewski 	&amp;lt;br /&amp;gt;Transgression and Tragedy, Laughter versus Death	&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja 	&amp;lt;br /&amp;gt;The Shadows of Europe. History and Metaphor	&lt;br /&gt;
&lt;br /&gt;
Sławomir Sikora 	&amp;lt;br /&amp;gt;Living Monuments. Forms of Memory and Oblivion in the Film Gyumri	 &lt;br /&gt;
&lt;br /&gt;
'''Volume II: Anthropology of Film'''&lt;br /&gt;
&lt;br /&gt;
Zbigniew Benedyktowicz 	&amp;lt;br /&amp;gt;Anthropology of Film. Introduction&lt;br /&gt;
&lt;br /&gt;
Teresa Rutkowska 	&amp;lt;br /&amp;gt;Fellini’s Wandering	&lt;br /&gt;
&lt;br /&gt;
Aleksander Jackiewicz &amp;lt;br /&amp;gt;	Charlie on an Italian Road	&lt;br /&gt;
&lt;br /&gt;
Zbigniew Benedyktowicz 	&amp;lt;br /&amp;gt;Road Movie – a Poem about the Pebble	&lt;br /&gt;
&lt;br /&gt;
Wojciech Michera 	&amp;lt;br /&amp;gt;Nights of Cabiria by Federico Fellini (Anthropological Notes)	&lt;br /&gt;
&lt;br /&gt;
Grzegorz Nadgrodkiewicz 	&amp;lt;br /&amp;gt;Tragicomedy dell’arte, or Pierrotade à la Godard	&lt;br /&gt;
&lt;br /&gt;
Wiesław Juszczak &amp;lt;br /&amp;gt;	The Work and the “Boundary of Meaning”&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja 	&amp;lt;br /&amp;gt;The Eternal Moment. On Babette’s Feast	&lt;br /&gt;
&lt;br /&gt;
Zbigniew Benedyktowicz&amp;lt;br /&amp;gt; 	Mary and Martha (Remarks on Babette’s Feast)	&lt;br /&gt;
&lt;br /&gt;
Marta Leśniakowska 	&amp;lt;br /&amp;gt;The Sin of Gluttony and the Cultural Conflict. On the Margin of Babette’s Feast	&lt;br /&gt;
&lt;br /&gt;
Wojciech Michera &amp;lt;br /&amp;gt;	In Front of the Room (Stalker)	&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja 	&amp;lt;br /&amp;gt;Cipher and Epiphany. Several Remarks on π&lt;br /&gt;
&lt;br /&gt;
Ryszard Ciarka&amp;lt;br /&amp;gt; 	Film and the True State of Things	&lt;br /&gt;
&lt;br /&gt;
Sławomir Sikora 	&amp;lt;br /&amp;gt;The Predicament of the Meaning of Blow-up	&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja 	&amp;lt;br /&amp;gt;Why Is It the Way it Is?	&lt;br /&gt;
&lt;br /&gt;
Wojciech Michera 	&amp;lt;br /&amp;gt;The “Image” in Blow-Up – the Problem of Focalisation	&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja 	&amp;lt;br /&amp;gt;Le Chef-d’oeuvre inconnu. Balzac and Rivette&lt;br /&gt;
&lt;br /&gt;
Wiesław Szpilka 	&amp;lt;br /&amp;gt;To See the World. Ethnography vis à vis Film and Mass Culture	&lt;br /&gt;
&lt;br /&gt;
Wiesław Szpilka&amp;lt;br /&amp;gt; 	Batman – a Story of Creation	&lt;br /&gt;
&lt;br /&gt;
Monika Sznajderman &amp;lt;br /&amp;gt;	What’s Under the Mask. On the Motif of the Man Who Laughs: Several Remarks on Batman	&lt;br /&gt;
&lt;br /&gt;
Anna Sobolewska 	&amp;lt;br /&amp;gt;The Construction of Existence	&lt;br /&gt;
&lt;br /&gt;
Zbigniew Benedyktowicz &amp;lt;br /&amp;gt;	Tango – a Dance of Universal Alienation	&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja 	&amp;lt;br /&amp;gt;Fragmentary Presences. Portraits of Carlo Gesualdo	&lt;br /&gt;
&lt;br /&gt;
Karolina Kosińska 	&amp;lt;br /&amp;gt;The Androgyne Who Fell to Earth	&lt;br /&gt;
&lt;br /&gt;
Dariusz Czaja &amp;lt;br /&amp;gt;	Homo Faber. Accident or Necessity	&lt;br /&gt;
&lt;br /&gt;
Beata Kosińska-Krippner &amp;lt;br /&amp;gt;	The Parodic Nature of the Appropriation of Factual Codes and Conventions in Mockumentaries	414&lt;br /&gt;
&lt;br /&gt;
Notes on Authors	&lt;br /&gt;
&lt;br /&gt;
Bibliographic Note&lt;/div&gt;</summary>
		<author><name>Małgosia wosnitzka</name></author>	</entry>

	</feed>