http://katalog.czasopism.pl/index.php?action=history&feed=atom&title=Kwartalnik_Filmowy_18_%281997%29 2026-04-29T00:27:00Z Historia wersji tej strony wiki MediaWiki 1.20.2 http://katalog.czasopism.pl/index.php?title=Kwartalnik_Filmowy_18_(1997)&diff=41048&oldid=prev 2010-04-07T17:48:04Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 17:48, 7 kwi 2010</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 2:</td> <td colspan="2" class="diff-lineno">Linia 2:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:Kwartalnik_filmowy_18_97.jpg|thumb|160px|okładka numeru&lt;br /&gt; 18/1997]]</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:Kwartalnik_filmowy_18_97.jpg|thumb|160px|okładka numeru&lt;br /&gt; 18/1997]]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;ŻYWOT MATEUSZA, Leszczyński, 1968&#160; &lt;/b&gt;&lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;ŻYWOT MATEUSZA<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Leszczyński, 1968&#160; &lt;/b&gt;&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Dariusz Czaja,&lt;/b&gt;&lt;i&gt; Dlaczego jest, tak jak jest? Poema naiwne.&lt;/i&gt;&#160; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Dariusz Czaja,&lt;/b&gt;&lt;i&gt; Dlaczego jest, tak jak jest? Poema naiwne.&lt;/i&gt;&#160; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;STRUKTURA KRYSZTAŁU, Zanussi, 1969&#160; &lt;/b&gt;&lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;STRUKTURA KRYSZTAŁU<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Zanussi, 1969&#160; &lt;/b&gt;&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Małgorzata Hendrykowska,&lt;/b&gt; &lt;i&gt;Sztuka wyboru. &lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Małgorzata Hendrykowska,&lt;/b&gt; &lt;i&gt;Sztuka wyboru. &lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;REJS, Piwowski, 1970&lt;/b&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;REJS<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Piwowski, 1970&lt;/b&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;Barbara Kosecka,&lt;/b&gt; &lt;i&gt; Ciało i dyscyplina. Rejs jako próba pewnej strategii syntezy. &lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b&gt;Barbara Kosecka,&lt;/b&gt; &lt;i&gt; Ciało i dyscyplina. <ins class="diffchange diffchange-inline">&quot;</ins>Rejs<ins class="diffchange diffchange-inline">&quot; </ins>jako próba pewnej strategii syntezy. &lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Karolina Dabert, &lt;/b&gt;&lt;i&gt; Świat chaosu czy chaos świata. &lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Karolina Dabert, &lt;/b&gt;&lt;i&gt; Świat chaosu czy chaos świata. &lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;SÓL ZIEMI CZARNEJ, Kutz, 1970&#160; &lt;/b&gt;&lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;SÓL ZIEMI CZARNEJ<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Kutz, 1970&#160; &lt;/b&gt;&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;PERŁA W KORONIE, Kutz, 1972 &lt;/b&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;PERŁA W KORONIE<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Kutz, 1972 &lt;/b&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Maria Lipok-Bierwiaczonek, &lt;/b&gt;&lt;i&gt; Śląsk według Kutza. &lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Maria Lipok-Bierwiaczonek, &lt;/b&gt;&lt;i&gt; Śląsk według Kutza. &lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;WESELE, Wajda, 1973 &lt;/b&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;WESELE<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Wajda, 1973 &lt;/b&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Tadeusz Miczka,&lt;/b&gt; &lt;i&gt; Polskie czary. &lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Tadeusz Miczka,&lt;/b&gt; &lt;i&gt; Polskie czary. &lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;NA WYLOT, Królikiewicz, 1973 &lt;/b&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;NA WYLOT<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Królikiewicz, 1973 &lt;/b&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Jerzy Uszyński,&lt;/b&gt; &lt;i&gt; Wieczne kłopoty. &lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Jerzy Uszyński,&lt;/b&gt; &lt;i&gt; Wieczne kłopoty. &lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;ILUMINACJA, Zanussi, 1973 &lt;/b&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;ILUMINACJA<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Zanussi, 1973 &lt;/b&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Ryszard Ciarka, &lt;/b&gt;&lt;i&gt; Wiedza, wiara i nadzieja. &lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Ryszard Ciarka, &lt;/b&gt;&lt;i&gt; Wiedza, wiara i nadzieja. &lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 39:</td> <td colspan="2" class="diff-lineno">Linia 39:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;SANATORIUM POD KLEPSYDRĄ, Has, 1973 &lt;/b&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;SANATORIUM POD KLEPSYDRĄ,<ins class="diffchange diffchange-inline">&lt;/i&gt; </ins>Has, 1973 &lt;/b&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Anne Guerin Castell, &lt;/b&gt;&lt;i&gt; Sztuka wierności własnej wierności.&lt;/i&gt;&#160; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Anne Guerin Castell, &lt;/b&gt;&lt;i&gt; Sztuka wierności własnej wierności.&lt;/i&gt;&#160; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;ZIEMIA OBIECANA, Wajda, 1975 &lt;/b&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;ZIEMIA OBIECANA<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Wajda, 1975 &lt;/b&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Tadeusz Lubelski,&lt;/b&gt;&lt;i&gt;&#160; Dwie ziemie jałowe: 1898 i 1974.&lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Tadeusz Lubelski,&lt;/b&gt;&lt;i&gt;&#160; Dwie ziemie jałowe: 1898 i 1974.&lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;BARWY OCHRONNE, Zanussi, 1977&#160; &lt;/b&gt;&lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;BARWY OCHRONNE<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Zanussi, 1977&#160; &lt;/b&gt;&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;Marek Radziwon,&lt;/b&gt; &lt;i&gt; Barwy ochronne nie wyblakły. &lt;/i&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b&gt;Marek Radziwon,&lt;/b&gt; &lt;i&gt; <ins class="diffchange diffchange-inline">&quot;</ins>Barwy ochronne<ins class="diffchange diffchange-inline">&quot; </ins>nie wyblakły. &lt;/i&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;PANNY Z WILKA, Wajda, 1978&#160; &lt;/b&gt;&lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;PANNY Z WILKA<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Wajda, 1978&#160; &lt;/b&gt;&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Teresa Rutkowska,&lt;/b&gt; &lt;i&gt; Pięć nieszczęśliwych kobiet z Wenus i zmęczony mężczyzna z Marsa.&lt;/i&gt;&#160; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Teresa Rutkowska,&lt;/b&gt; &lt;i&gt; Pięć nieszczęśliwych kobiet z Wenus i zmęczony mężczyzna z Marsa.&lt;/i&gt;&#160; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&lt;b&gt;DEKALOG, Kieślowski, 1991 &lt;/b&gt; &lt;br/&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&lt;b<ins class="diffchange diffchange-inline">&gt;&lt;i</ins>&gt;DEKALOG<ins class="diffchange diffchange-inline">&lt;/i&gt;</ins>, Kieślowski, 1991 &lt;/b&gt; &lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;br/&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Katarzyna Jabłońska, &lt;/b&gt;&lt;i&gt; Wariacje na temat dziesięciorga przykazań.&lt;/i&gt;&#160; &lt;br/&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&lt;b&gt;Katarzyna Jabłońska, &lt;/b&gt;&lt;i&gt; Wariacje na temat dziesięciorga przykazań.&lt;/i&gt;&#160; &lt;br/&gt;</div></td></tr> </table>

Misty Roxy http://katalog.czasopism.pl/index.php?title=Kwartalnik_Filmowy_18_(1997)&diff=41046&oldid=prev 2010-04-07T17:40:19Z

<p>Nowa strona: Przejdź do <a href="/index.php/Kwartalnik_Filmowy" title="Kwartalnik Filmowy">Kwartalnik Filmowy</a> lub <a href="/index.php/Kategoria:Spisy_tre%C5%9Bci_1997" title="Kategoria:Spisy treści 1997">Spisy treści 1997</a>&lt;br /&gt; ---- <a href="/index.php/Plik:Kwartalnik_filmowy_18_97.jpg" title="Plik:Kwartalnik filmowy 18 97.jpg">okładka numeru&lt;br /&gt; 18/1997</a> &lt;...</p> <p><b>Nowa strona</b></p><div>Przejdź do [[Kwartalnik Filmowy]] lub [[:Kategoria:Spisy treści 1997|Spisy treści 1997]]&lt;br /&gt;<br /> ----<br /> [[Image:Kwartalnik_filmowy_18_97.jpg|thumb|160px|okładka numeru&lt;br /&gt; 18/1997]]<br /> &lt;b&gt;ŻYWOT MATEUSZA, Leszczyński, 1968 &lt;/b&gt;&lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Dariusz Czaja,&lt;/b&gt;&lt;i&gt; Dlaczego jest, tak jak jest? Poema naiwne.&lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;STRUKTURA KRYSZTAŁU, Zanussi, 1969 &lt;/b&gt;&lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Małgorzata Hendrykowska,&lt;/b&gt; &lt;i&gt;Sztuka wyboru. &lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;REJS, Piwowski, 1970&lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Barbara Kosecka,&lt;/b&gt; &lt;i&gt; Ciało i dyscyplina. Rejs jako próba pewnej strategii syntezy. &lt;/i&gt; &lt;br/&gt;<br /> &lt;b&gt;Karolina Dabert, &lt;/b&gt;&lt;i&gt; Świat chaosu czy chaos świata. &lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;SÓL ZIEMI CZARNEJ, Kutz, 1970 &lt;/b&gt;&lt;br/&gt;<br /> &lt;b&gt;PERŁA W KORONIE, Kutz, 1972 &lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Maria Lipok-Bierwiaczonek, &lt;/b&gt;&lt;i&gt; Śląsk według Kutza. &lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;WESELE, Wajda, 1973 &lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Tadeusz Miczka,&lt;/b&gt; &lt;i&gt; Polskie czary. &lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;NA WYLOT, Królikiewicz, 1973 &lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Jerzy Uszyński,&lt;/b&gt; &lt;i&gt; Wieczne kłopoty. &lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;ILUMINACJA, Zanussi, 1973 &lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Ryszard Ciarka, &lt;/b&gt;&lt;i&gt; Wiedza, wiara i nadzieja. &lt;/i&gt; &lt;br/&gt;<br /> &lt;b&gt;Jerzy Uszyński,&lt;/b&gt;&lt;i&gt; Poza dosłownością. &lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;SANATORIUM POD KLEPSYDRĄ, Has, 1973 &lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Anne Guerin Castell, &lt;/b&gt;&lt;i&gt; Sztuka wierności własnej wierności.&lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;ZIEMIA OBIECANA, Wajda, 1975 &lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Tadeusz Lubelski,&lt;/b&gt;&lt;i&gt; Dwie ziemie jałowe: 1898 i 1974.&lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;BARWY OCHRONNE, Zanussi, 1977 &lt;/b&gt;&lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Marek Radziwon,&lt;/b&gt; &lt;i&gt; Barwy ochronne nie wyblakły. &lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;PANNY Z WILKA, Wajda, 1978 &lt;/b&gt;&lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Teresa Rutkowska,&lt;/b&gt; &lt;i&gt; Pięć nieszczęśliwych kobiet z Wenus i zmęczony mężczyzna z Marsa.&lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;DEKALOG, Kieślowski, 1991 &lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Katarzyna Jabłońska, &lt;/b&gt;&lt;i&gt; Wariacje na temat dziesięciorga przykazań.&lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;SZKICE HISTORYCZNE &lt;/b&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Małgorzata Hendrykowska,&lt;/b&gt; &lt;i&gt; Między wynalazkiem a sztuką. Film na ziemiach polskich (1896-1915). &lt;/i&gt; &lt;br/&gt;<br /> &lt;b&gt;Alina Madej,&lt;/b&gt;&lt;i&gt; Jest źle, ale musi być lepiej. &lt;/i&gt; &lt;br/&gt;<br /> &lt;b&gt;Alina Madej,&lt;/b&gt; &lt;i&gt; Kulisy socrealizmu: Zjazd w Wiśle, czyli dla każdego coś przykrego.&lt;/i&gt;&lt;br/&gt; <br /> &lt;i&gt; Nieuchwytny szyfr zdarzeń.&lt;/i&gt;&lt;b&gt; Z Hubertem Drapellą rozmawia Alina Madej &lt;/b&gt;&lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;VARIA &lt;/b&gt;&lt;br/&gt;<br /> &lt;br/&gt;<br /> &lt;b&gt;Miron Czernienko,&lt;/b&gt;&lt;i&gt; Wiatr od dzikiego Zachodu czyli krótki kurs historii kina polskiego na ekranach radzieckich.&lt;/i&gt; &lt;br/&gt;<br /> &lt;br/&gt;<br /> [[Kategoria:Spisy treści 1997]]</div>

Misty Roxy