http://katalog.czasopism.pl/index.php?action=history&feed=atom&title=Muzyka_4%2F2010 2026-04-30T02:44:22Z Historia wersji tej strony wiki MediaWiki 1.20.2 http://katalog.czasopism.pl/index.php?title=Muzyka_4/2010&diff=45149&oldid=prev 2011-06-22T16:47:18Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 16:47, 22 cze 2011</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 1:</td> <td colspan="2" class="diff-lineno">Linia 1:</td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Przejdź do [[ Muzyka ]] lub [[:Kategoria:Spisy treści 2010|Spisy treści 2010]]&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">----</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Artykuły'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Artykuły'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 34:</td> <td colspan="2" class="diff-lineno">Linia 38:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Marek Nahajowski&lt;br&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Marek Nahajowski&lt;br&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Stylistyka sonat fletowych Johanna Joachima Quantza w kontekście jego traktatu „Versuch einer Anweisung die Flöte traversiere zu Spielen”</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Stylistyka sonat fletowych Johanna Joachima Quantza w kontekście jego traktatu „Versuch einer Anweisung die Flöte traversiere zu Spielen”</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Kategoria:Spisy treści 2010]]</ins></div></td></tr> </table>

Redakcja http://katalog.czasopism.pl/index.php?title=Muzyka_4/2010&diff=45125&oldid=prev 2011-06-21T08:33:58Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 08:33, 21 cze 2011</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 1:</td> <td colspan="2" class="diff-lineno">Linia 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Artykuły</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>Artykuły<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Zygmunt M. Szweykowski</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Zygmunt M. Szweykowski<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Emocje a środki muzyczne w recytatywie. Na przykładzie fragmentu sceny 9. aktu II „Il palazzo incantato” (1642) Luigiego Rossiego</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Emocje a środki muzyczne w recytatywie. Na przykładzie fragmentu sceny 9. aktu II „Il palazzo incantato” (1642) Luigiego Rossiego</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Ewa Lachimirowicz </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Ewa Lachimirowicz<ins class="diffchange diffchange-inline">&lt;br&gt; </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Technika wyrażania afektów według Francesca Geminianiego i Giuseppe Tartiniego</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Technika wyrażania afektów według Francesca Geminianiego i Giuseppe Tartiniego</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Anna Czekanowska</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Anna Czekanowska<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Etnomuzykologia – do dyskusji o tożsamości dyscypliny. Tradycja – przeobrażenia paradygmatu – próby powrotu?</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Etnomuzykologia – do dyskusji o tożsamości dyscypliny. Tradycja – przeobrażenia paradygmatu – próby powrotu?</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Tomira Rogala</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Tomira Rogala<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Identyfikacja melodii jako metoda badania siły wysokości dźwięku</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Identyfikacja melodii jako metoda badania siły wysokości dźwięku</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Sprawozdania</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>Sprawozdania<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Alina Żórawska-Witkowska</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Alina Żórawska-Witkowska<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Barbara Przybyszewska-Jarmińska: The Baroque. Part 1: 1696-1696. Warsaw 2002; Barbara Przybyszewska-Jarmińska: Barok, część 1: 1595-1696. Warszawa 2006 &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Barbara Przybyszewska-Jarmińska: The Baroque. Part 1: 1696-1696. Warsaw 2002; Barbara Przybyszewska-Jarmińska: Barok, część 1: 1595-1696. Warszawa 2006 &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Justyna Humięcka-Jakubowska</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Justyna Humięcka-Jakubowska<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>David Huron: Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Mass., London 2006</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>David Huron: Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Mass., London 2006</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Barbara Przybyszewska-Jarmińska</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Barbara Przybyszewska-Jarmińska<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Kutnohorský kodex (Praha. Národní muzeum – České muzeum hudby. Sign. AZ 33) / Codex Kuttenbergensis (Museum Nationalis Pragae – Muzeum Musicae Bohemiae. Sign. AZ 33). Wyd. Jan Bat’a. Praha 2008</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Kutnohorský kodex (Praha. Národní muzeum – České muzeum hudby. Sign. AZ 33) / Codex Kuttenbergensis (Museum Nationalis Pragae – Muzeum Musicae Bohemiae. Sign. AZ 33). Wyd. Jan Bat’a. Praha 2008</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Beniamin Vogel</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Beniamin Vogel<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Artificium Ars Scientia. Księga jubileuszowa w 80. rocznicę urodzin ks. profesora Jana Chwałka. Red. Maria Szymanowicz. Lublin 2010</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Artificium Ars Scientia. Księga jubileuszowa w 80. rocznicę urodzin ks. profesora Jana Chwałka. Red. Maria Szymanowicz. Lublin 2010</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Jolanta Guzy-Pasiak</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Jolanta Guzy-Pasiak<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Ewa Wójtowicz: Ludomir Michał Rogowski. Sylwetka życia i twórczości. Kraków 2009</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Ewa Wójtowicz: Ludomir Michał Rogowski. Sylwetka życia i twórczości. Kraków 2009</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Autoreferaty</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>Autoreferaty<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Marek Nahajowski</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Marek Nahajowski<ins class="diffchange diffchange-inline">&lt;br&gt;</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Stylistyka sonat fletowych Johanna Joachima Quantza w kontekście jego traktatu „Versuch einer Anweisung die Flöte traversiere zu Spielen”</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Stylistyka sonat fletowych Johanna Joachima Quantza w kontekście jego traktatu „Versuch einer Anweisung die Flöte traversiere zu Spielen”</div></td></tr> </table>

Kwartmuz http://katalog.czasopism.pl/index.php?title=Muzyka_4/2010&diff=45124&oldid=prev 2011-06-21T08:29:29Z

<p>Utworzył nową stronę „Artykuły Zygmunt M. Szweykowski Emocje a środki muzyczne w recytatywie. Na przykładzie fragmentu sceny 9. aktu II „Il palazzo incantato” (1642) Luigiego Rossieg...”</p> <p><b>Nowa strona</b></p><div>Artykuły<br /> <br /> Zygmunt M. Szweykowski<br /> Emocje a środki muzyczne w recytatywie. Na przykładzie fragmentu sceny 9. aktu II „Il palazzo incantato” (1642) Luigiego Rossiego<br /> <br /> Ewa Lachimirowicz <br /> Technika wyrażania afektów według Francesca Geminianiego i Giuseppe Tartiniego<br /> <br /> Anna Czekanowska<br /> Etnomuzykologia – do dyskusji o tożsamości dyscypliny. Tradycja – przeobrażenia paradygmatu – próby powrotu?<br /> <br /> Tomira Rogala<br /> Identyfikacja melodii jako metoda badania siły wysokości dźwięku<br /> <br /> Sprawozdania<br /> <br /> Alina Żórawska-Witkowska<br /> Barbara Przybyszewska-Jarmińska: The Baroque. Part 1: 1696-1696. Warsaw 2002; Barbara Przybyszewska-Jarmińska: Barok, część 1: 1595-1696. Warszawa 2006 <br /> <br /> Justyna Humięcka-Jakubowska<br /> David Huron: Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Mass., London 2006<br /> <br /> Barbara Przybyszewska-Jarmińska<br /> Kutnohorský kodex (Praha. Národní muzeum – České muzeum hudby. Sign. AZ 33) / Codex Kuttenbergensis (Museum Nationalis Pragae – Muzeum Musicae Bohemiae. Sign. AZ 33). Wyd. Jan Bat’a. Praha 2008<br /> <br /> Beniamin Vogel<br /> Artificium Ars Scientia. Księga jubileuszowa w 80. rocznicę urodzin ks. profesora Jana Chwałka. Red. Maria Szymanowicz. Lublin 2010<br /> <br /> Jolanta Guzy-Pasiak<br /> Ewa Wójtowicz: Ludomir Michał Rogowski. Sylwetka życia i twórczości. Kraków 2009<br /> <br /> Autoreferaty<br /> <br /> Marek Nahajowski<br /> Stylistyka sonat fletowych Johanna Joachima Quantza w kontekście jego traktatu „Versuch einer Anweisung die Flöte traversiere zu Spielen”</div>

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