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<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 23:41, 2 sie 2008</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 3:</td> <td colspan="2" class="diff-lineno">Linia 3:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:Podteksty.jpg|thumb|160px|logo kwartalnika]]</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Image:Podteksty.jpg|thumb|160px|logo kwartalnika]]</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>'''<del class="diffchange diffchange-inline">Wstęp</del>'''</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>'''<ins class="diffchange diffchange-inline">temat numeru: POEZJA NOWOCZESNA</ins>'''</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">*Marcin Jaworski, Piotr Śniedziewski, Poezja nowoczesna?</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&#160;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Szkice, rozprawy, interpretacje'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Szkice, rozprawy, interpretacje'''</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 11:</td> <td colspan="2" class="diff-lineno">Linia 9:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>*Piotr Śniedziewski, Mallarmégo poezja bez podmiotu</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>*Piotr Śniedziewski, Mallarmégo poezja bez podmiotu</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Magdalena Przybylska, Ironiczna lektura ''<del class="diffchange diffchange-inline">&quot;</del>Vade-mecum<del class="diffchange diffchange-inline">&quot;</del>'' Cypriana Norwida</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Magdalena Przybylska, Ironiczna lektura ''Vade-mecum'' Cypriana Norwida</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Katarzyna Szewczyk, ''<del class="diffchange diffchange-inline">&quot;</del>Rozpierzchnięte partyzantki duchowe<del class="diffchange diffchange-inline">&quot;</del>''. O mitach ekspresjonistycznych</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Katarzyna Szewczyk, ''Rozpierzchnięte partyzantki duchowe''. O mitach ekspresjonistycznych</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>*Marcin Jaworski, Poezja Jarosława Marka Rymkiewicza – klasycyzm i nowoczesność</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>*Marcin Jaworski, Poezja Jarosława Marka Rymkiewicza – klasycyzm i nowoczesność</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 19:</td> <td colspan="2" class="diff-lineno">Linia 17:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>*Joanna Roszak, Interpretacja interpretacji. Konieczność poezji niemożliwej</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>*Joanna Roszak, Interpretacja interpretacji. Konieczność poezji niemożliwej</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Ewa Rajewska, Co widać przez ''<del class="diffchange diffchange-inline">&quot;</del>Okno<del class="diffchange diffchange-inline">&quot;</del>'' Barańczaka i ''<del class="diffchange diffchange-inline">&quot;</del>Wysokie okna<del class="diffchange diffchange-inline">&quot;</del>'' Larkina</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Ewa Rajewska, Co widać przez ''Okno'' Barańczaka i ''Wysokie okna'' Larkina</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 31:</td> <td colspan="2" class="diff-lineno">Linia 29:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Recenzje'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Recenzje'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Marcin Telicki o ''<del class="diffchange diffchange-inline">&quot;Przełom awangardowy </del>w dwudziestowiecznym modernizmie w Polsce<del class="diffchange diffchange-inline">&quot;</del>'' Joanny Orskiej</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Marcin Telicki o ''<ins class="diffchange diffchange-inline">Przełomie awangardowym </ins>w dwudziestowiecznym modernizmie w Polsce'' Joanny Orskiej</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Łukasz Jeżyk o ''<del class="diffchange diffchange-inline">&quot;</del>bruLionie. Instrukcji obsługi<del class="diffchange diffchange-inline">&quot;</del>'' Marcina Wieczorka</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Łukasz Jeżyk o ''bruLionie. Instrukcji obsługi'' Marcina Wieczorka</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Kornelia Kończal o ''<del class="diffchange diffchange-inline">&quot;</del>Słowach i rzeczach. Archeologii nauk humanistycznych<del class="diffchange diffchange-inline">&quot;</del>'' Michela Foucaulta</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Kornelia Kończal o ''Słowach i rzeczach. Archeologii nauk humanistycznych'' Michela Foucaulta</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Bartłomiej Krupa o ''<del class="diffchange diffchange-inline">&quot;</del>Narracji, reprezentacji, doświadczeniu. <del class="diffchange diffchange-inline">Studia </del>z teorii historiografii<del class="diffchange diffchange-inline">&quot;</del>'' Franka Ankersmita</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Bartłomiej Krupa o ''Narracji, reprezentacji, doświadczeniu. <ins class="diffchange diffchange-inline">Studiach </ins>z teorii historiografii'' Franka Ankersmita</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Eliza Szybowicz o ''<del class="diffchange diffchange-inline">&quot;</del>Gorliwych katach Hitlera. <del class="diffchange diffchange-inline">Zwyczajni Niemcy </del>i <del class="diffchange diffchange-inline">Holocaust&quot;</del>'' Daniela J. Goldhagena</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Eliza Szybowicz o ''Gorliwych katach Hitlera. <ins class="diffchange diffchange-inline">Zwyczajnych Niemcach </ins>i <ins class="diffchange diffchange-inline">Holocauście</ins>'' Daniela J. Goldhagena</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Marta Czajka o ''<del class="diffchange diffchange-inline">&quot;</del>Wszystkich językach świata<del class="diffchange diffchange-inline">&quot;</del>'' Zbigniewa Mentzla</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Marta Czajka o ''Wszystkich językach świata'' Zbigniewa Mentzla</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Felieton'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Felieton'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>*Robert Panowicz, <del class="diffchange diffchange-inline">&quot;</del>Diamenty są wieczne<del class="diffchange diffchange-inline">&quot;</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>*Robert Panowicz, Diamenty są wieczne</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>*Anna Roter-Bourkane, Krewni i znajomi</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>*Anna Roter-Bourkane, Krewni i znajomi</div></td></tr> </table>

Gryzak http://katalog.czasopism.pl/index.php?title=Podteksty_2_(2)_2005&diff=30308&oldid=prev 2008-07-29T16:00:05Z

<p>Nowa strona: Przejdź do <a href="/index.php/Podteksty" title="Podteksty"> Podteksty </a> lub <a href="/index.php/Kategoria:Spisy_tre%C5%9Bci_2005" title="Kategoria:Spisy treści 2005">Spisy treści 2005</a>&lt;br /&gt; ---- <a href="/index.php/Plik:Podteksty.jpg" title="Plik:Podteksty.jpg">logo kwartalnika</a> &#039;&#039;&#039;Wstęp&#039;&#039;&#039; *Marcin Jaworski, Pi...</p> <p><b>Nowa strona</b></p><div>Przejdź do [[ Podteksty ]] lub [[:Kategoria:Spisy treści 2005|Spisy treści 2005]]&lt;br /&gt;<br /> ----<br /> [[Image:Podteksty.jpg|thumb|160px|logo kwartalnika]]<br /> <br /> '''Wstęp'''<br /> *Marcin Jaworski, Piotr Śniedziewski, Poezja nowoczesna?<br /> <br /> <br /> '''Szkice, rozprawy, interpretacje'''<br /> <br /> *Piotr Śniedziewski, Mallarmégo poezja bez podmiotu<br /> <br /> *Magdalena Przybylska, Ironiczna lektura ''&quot;Vade-mecum&quot;'' Cypriana Norwida<br /> <br /> *Katarzyna Szewczyk, ''&quot;Rozpierzchnięte partyzantki duchowe&quot;''. O mitach ekspresjonistycznych<br /> <br /> *Marcin Jaworski, Poezja Jarosława Marka Rymkiewicza – klasycyzm i nowoczesność<br /> <br /> *Joanna Roszak, Interpretacja interpretacji. Konieczność poezji niemożliwej<br /> <br /> *Ewa Rajewska, Co widać przez ''&quot;Okno&quot;'' Barańczaka i ''&quot;Wysokie okna&quot;'' Larkina<br /> <br /> <br /> '''Eseje'''<br /> <br /> *Joanna Szwechłowicz, Miasto, które wyszło z formy. O Paryżu Balzaka<br /> <br /> *Piotr Śniedziewski, Impresjonista w szesnastej dzielnicy<br /> <br /> <br /> '''Recenzje'''<br /> <br /> *Marcin Telicki o ''&quot;Przełom awangardowy w dwudziestowiecznym modernizmie w Polsce&quot;'' Joanny Orskiej<br /> <br /> *Łukasz Jeżyk o ''&quot;bruLionie. Instrukcji obsługi&quot;'' Marcina Wieczorka<br /> <br /> *Kornelia Kończal o ''&quot;Słowach i rzeczach. Archeologii nauk humanistycznych&quot;'' Michela Foucaulta<br /> <br /> *Bartłomiej Krupa o ''&quot;Narracji, reprezentacji, doświadczeniu. Studia z teorii historiografii&quot;'' Franka Ankersmita<br /> <br /> *Eliza Szybowicz o ''&quot;Gorliwych katach Hitlera. Zwyczajni Niemcy i Holocaust&quot;'' Daniela J. Goldhagena<br /> <br /> *Marta Czajka o ''&quot;Wszystkich językach świata&quot;'' Zbigniewa Mentzla<br /> <br /> <br /> '''Felieton'''<br /> <br /> *Robert Panowicz, &quot;Diamenty są wieczne&quot;<br /> <br /> *Anna Roter-Bourkane, Krewni i znajomi<br /> <br /> <br /> '''Polemiki'''<br /> <br /> <br /> [[Kategoria:Spisy treści 2005]]</div>

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