http://katalog.czasopism.pl/index.php?action=history&feed=atom&title=Przek%C5%82adaniec_17_%282%2F2006%29 2026-04-21T09:40:49Z Historia wersji tej strony wiki MediaWiki 1.20.2 http://katalog.czasopism.pl/index.php?title=Przek%C5%82adaniec_17_(2/2006)&diff=31444&oldid=prev 2008-08-11T18:18:21Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 18:18, 11 sie 2008</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 86:</td> <td colspan="2" class="diff-lineno">Linia 86:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Balansując na granicy (rec. Agnieszka Romanowska ''„Hamlet” po polsku. Teatralność szekspirowskiego tekstu dramatycznego jako zagadnienie przekładoznawcze'')</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Balansując na granicy (rec. Agnieszka Romanowska ''„Hamlet” po polsku. Teatralność szekspirowskiego tekstu dramatycznego jako zagadnienie przekładoznawcze'')</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&#160;&#160; &#160; &#160; &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&#160;&#160; &#160; &#160; &#160;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>NOTY O AUTORACH</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>NOTY O AUTORACH<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>ACKNOWLEDGEMENTS</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">'''</ins>ACKNOWLEDGEMENTS<ins class="diffchange diffchange-inline">'''</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategoria:Spisy treści 2006]]</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategoria:Spisy treści 2006]]</div></td></tr> </table>

Dagna http://katalog.czasopism.pl/index.php?title=Przek%C5%82adaniec_17_(2/2006)&diff=31442&oldid=prev 2008-08-11T18:13:16Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 18:13, 11 sie 2008</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 5:</td> <td colspan="2" class="diff-lineno">Linia 5:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Elżbieta Wójcik-Leese<del class="diffchange diffchange-inline">: </del>Poezja i proza przekładu – warsztaty walijsko-polskie<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Elżbieta Wójcik-Leese<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Poezja i proza przekładu – warsztaty walijsko-polskie</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Robert Minhinnick<del class="diffchange diffchange-inline">: </del>Przeciw nienazywaniu - siedem określeń dzięcioła<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Robert Minhinnick<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Przeciw nienazywaniu - siedem określeń dzięcioła</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Samantha Wynne-Rhydderch<del class="diffchange diffchange-inline">: </del>''71,200 Megalitres'' w przekładzie Elżbiety Wójcik-Leese<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Samantha Wynne-Rhydderch<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>''71,200 Megalitres'' w przekładzie Elżbiety Wójcik-Leese</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Samantha Wynne-Rhydderch<del class="diffchange diffchange-inline">: </del>''71,200 Megalitres''. Bliższe spojrzenie na wiersz<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Samantha Wynne-Rhydderch<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>''71,200 Megalitres''. 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color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Bohdan Piasecki<del class="diffchange diffchange-inline">: </del>O roli kontekstu - poezja Zbigniewa Herberta po angielsku<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Bohdan Piasecki<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>O roli kontekstu - poezja Zbigniewa Herberta po angielsku</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Bill Johnston<del class="diffchange diffchange-inline">: </del>Róże Różewicza<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Bill Johnston<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Róże Różewicza</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>John i Bogdana Carpenterowie<del class="diffchange diffchange-inline">: </del>Tłumacząc wiersz Julii Hartwig<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>John i Bogdana Carpenterowie<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Tłumacząc wiersz Julii Hartwig</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Tadeusz Pióro<del class="diffchange diffchange-inline">: </del>Odmiany niewierności<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Tadeusz Pióro<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Odmiany niewierności</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Ewa Elżbieta Nowakowska<del class="diffchange diffchange-inline">: </del>''Wiersze'' w przekładzie Vuyelwy Carlin, Moniki Frey oraz Ewy Elżbiety Nowakowskiej<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Ewa Elżbieta Nowakowska<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>''Wiersze'' w przekładzie Vuyelwy Carlin, Moniki Frey oraz Ewy Elżbiety Nowakowskiej</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Vuyelwa Carlin<del class="diffchange diffchange-inline">: </del>Tłumacząc wiersze Ewy Elżbiety Nowakowskiej<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Vuyelwa Carlin<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Tłumacząc wiersze Ewy Elżbiety Nowakowskiej</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Ewa Elżbieta Nowakowska<del class="diffchange diffchange-inline">: </del>Z wrażenia zapomniałam (wy)tłumaczyć samą siebie<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Ewa Elżbieta Nowakowska<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Z wrażenia zapomniałam (wy)tłumaczyć samą siebie</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Antonia Lloyd-Jones<del class="diffchange diffchange-inline">: </del>Przekład jako kompromis - garść uwag o przekładaniu prozy Pawła Huellego i Olgi Tokarczuk na język angielski<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Antonia Lloyd-Jones<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Przekład jako kompromis - garść uwag o przekładaniu prozy Pawła Huellego i Olgi Tokarczuk na język angielski</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Alina Kreisberg<del class="diffchange diffchange-inline">: </del>Moje przygody z Calvinem<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Alina Kreisberg<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Moje przygody z Calvinem</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Klara Główczewska<del class="diffchange diffchange-inline">: </del>Ziemia – Kosmos – Ziemia<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Klara Główczewska<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Ziemia – Kosmos – Ziemia</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Alina Nelega<del class="diffchange diffchange-inline">: </del>''Amalia respiră adânc'' (fragment) w przekładzie Szymona Wcisły<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Alina Nelega<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>''Amalia respiră adânc'' (fragment) w przekładzie Szymona Wcisły</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Szymon Wcisło<del class="diffchange diffchange-inline">: </del>Jak zarżnąć wieprzka, a nie tłumaczenie. O pracy nad przekładem dramatu ''Amalia respiră adânc'' Aliny Nelegi<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Szymon Wcisło<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Jak zarżnąć wieprzka, a nie tłumaczenie. O pracy nad przekładem dramatu ''Amalia respiră adânc'' Aliny Nelegi</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Jean Boase-Beier<del class="diffchange diffchange-inline">: </del>Przełożyć „oko wiersza”<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Jean Boase-Beier<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Przełożyć „oko wiersza”</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Magda Potok<del class="diffchange diffchange-inline">: </del>''Hypallage'' jako problem poetyki przekładu na przykładzie romanc Federico Garcii Lorki<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Magda Potok<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>''Hypallage'' jako problem poetyki przekładu na przykładzie romanc Federico Garcii Lorki</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Agata Hołobut<del class="diffchange diffchange-inline">: </del>Tłumacząc Picassa<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Agata Hołobut<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Tłumacząc Picassa</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Michał Choński<del class="diffchange diffchange-inline">: </del>„Szkiełko i oko” czy „czucie i wiara”? Tłumacząc ''The Aurora Borealis at Rorvik'' Tamary Yoseloff na język polski<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Michał Choński<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>„Szkiełko i oko” czy „czucie i wiara”? Tłumacząc ''The Aurora Borealis at Rorvik'' Tamary Yoseloff na język polski</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Katarzyna Kostorz<del class="diffchange diffchange-inline">: </del>Czy ''the small doll'' i ''a little puppet'' to wciąż ta sama ''kukiełka''? ''Macierzyństwo'' Anny Świrszczyńskiej w przekładach Margaret Marshment i Czesława Miłosza<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Katarzyna Kostorz<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Czy ''the small doll'' i ''a little puppet'' to wciąż ta sama ''kukiełka''? ''Macierzyństwo'' Anny Świrszczyńskiej w przekładach Margaret Marshment i Czesława Miłosza</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Maria Piotrowska<del class="diffchange diffchange-inline">: </del>Czy znajomość strategii jest w warsztacie każdego tłumacza niezbędna? (O strategii teoretycznie)<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Maria Piotrowska<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Czy znajomość strategii jest w warsztacie każdego tłumacza niezbędna? (O strategii teoretycznie)</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Piotr Blumczyński<del class="diffchange diffchange-inline">: </del>''Primum non nocere'', czyli uwagi warsztatowe<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Piotr Blumczyński<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>''Primum non nocere'', czyli uwagi warsztatowe</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Paweł Błaszczyk, Szymon Duda<del class="diffchange diffchange-inline">: </del>Po uszy zakochani w Gnoju, czyli o zmaganiach z Kurro Himenezem słów kilka<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Paweł Błaszczyk, Szymon Duda<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Po uszy zakochani w <ins class="diffchange diffchange-inline">''</ins>Gnoju<ins class="diffchange diffchange-inline">''</ins>, czyli o zmaganiach z Kurro Himenezem słów kilka</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Wojciech Kuczok<del class="diffchange diffchange-inline">: </del>''Gnój'' (fragment) w przekładzie zbiorowym<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Wojciech Kuczok<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>''Gnój'' (fragment) w przekładzie zbiorowym</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>Maciej Piątek<del class="diffchange diffchange-inline">: balansując </del>na granicy (rec. Agnieszka Romanowska ''„Hamlet” po polsku. Teatralność szekspirowskiego tekstu dramatycznego jako zagadnienie przekładoznawcze'')<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Maciej Piątek<ins class="diffchange diffchange-inline">&lt;br /&gt;</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Balansując </ins>na granicy (rec. Agnieszka Romanowska ''„Hamlet” po polsku. Teatralność szekspirowskiego tekstu dramatycznego jako zagadnienie przekładoznawcze'')</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&#160;&#160; &#160; &#160; &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>&#160;&#160; &#160; &#160; &#160;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>NOTY O AUTORACH</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>NOTY O AUTORACH</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">* </del>ACKNOWLEDGEMENTS</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>ACKNOWLEDGEMENTS</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategoria:Spisy treści 2006]]</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategoria:Spisy treści 2006]]</div></td></tr> </table>

Dagna http://katalog.czasopism.pl/index.php?title=Przek%C5%82adaniec_17_(2/2006)&diff=31280&oldid=prev 2008-08-10T13:40:23Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 13:40, 10 sie 2008</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 1:</td> <td colspan="2" class="diff-lineno">Linia 1:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Przejdź do [[ Przekładaniec ]] lub [[:Kategoria:Spisy treści 2006|Spisy treści 2006]]&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Przejdź do [[ Przekładaniec ]] lub [[:Kategoria:Spisy treści 2006|Spisy treści 2006]]&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Image:Przek_17_06.jpg|thumb|160px|okładka numeru &lt;br /&gt;17 (2006)]]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[Image:Przek_17_06.jpg|thumb|160px|okładka numeru &lt;br /&gt;17 (<ins class="diffchange diffchange-inline">2/</ins>2006)]]</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>::::'''Poezja i proza przekładu'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>::::'''Poezja i proza przekładu'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> </table>

Anna Spruch http://katalog.czasopism.pl/index.php?title=Przek%C5%82adaniec_17_(2/2006)&diff=31278&oldid=prev 2008-08-10T13:38:01Z

<p>Nowa strona: Przejdź do <a href="/index.php/Przek%C5%82adaniec" title="Przekładaniec"> Przekładaniec </a> lub <a href="/index.php/Kategoria:Spisy_tre%C5%9Bci_2006" title="Kategoria:Spisy treści 2006">Spisy treści 2006</a>&lt;br /&gt; ---- <a href="/index.php/Plik:Przek_17_06.jpg" title="Plik:Przek 17 06.jpg">okładka numeru &lt;br /&gt;17 (2006)</a> ::::&#039;&#039;&#039;Poezj...</p> <p><b>Nowa strona</b></p><div>Przejdź do [[ Przekładaniec ]] lub [[:Kategoria:Spisy treści 2006|Spisy treści 2006]]&lt;br /&gt;<br /> ----<br /> [[Image:Przek_17_06.jpg|thumb|160px|okładka numeru &lt;br /&gt;17 (2006)]]<br /> ::::'''Poezja i proza przekładu'''<br /> <br /> <br /> * Elżbieta Wójcik-Leese: Poezja i proza przekładu – warsztaty walijsko-polskie.<br /> <br /> * Robert Minhinnick: Przeciw nienazywaniu - siedem określeń dzięcioła.<br /> <br /> * Samantha Wynne-Rhydderch: ''71,200 Megalitres'' w przekładzie Elżbiety Wójcik-Leese.<br /> <br /> * Samantha Wynne-Rhydderch: ''71,200 Megalitres''. Bliższe spojrzenie na wiersz.<br /> <br /> * Elżbieta Wójcik-Leese: Tryweryn – polska wersja pewnej historii.<br /> <br /> * Bohdan Piasecki: O roli kontekstu - poezja Zbigniewa Herberta po angielsku.<br /> <br /> * Bill Johnston: Róże Różewicza.<br /> <br /> * John i Bogdana Carpenterowie: Tłumacząc wiersz Julii Hartwig.<br /> <br /> * Tadeusz Pióro: Odmiany niewierności.<br /> <br /> * Ewa Elżbieta Nowakowska: ''Wiersze'' w przekładzie Vuyelwy Carlin, Moniki Frey oraz Ewy Elżbiety Nowakowskiej.<br /> <br /> * Vuyelwa Carlin: Tłumacząc wiersze Ewy Elżbiety Nowakowskiej.<br /> <br /> * Ewa Elżbieta Nowakowska: Z wrażenia zapomniałam (wy)tłumaczyć samą siebie.<br /> <br /> * Antonia Lloyd-Jones: Przekład jako kompromis - garść uwag o przekładaniu prozy Pawła Huellego i Olgi Tokarczuk na język angielski.<br /> <br /> * Alina Kreisberg: Moje przygody z Calvinem.<br /> <br /> * Klara Główczewska: Ziemia – Kosmos – Ziemia.<br /> <br /> * Alina Nelega: ''Amalia respiră adânc'' (fragment) w przekładzie Szymona Wcisły.<br /> <br /> * Szymon Wcisło: Jak zarżnąć wieprzka, a nie tłumaczenie. O pracy nad przekładem dramatu ''Amalia respiră adânc'' Aliny Nelegi.<br /> <br /> * Jean Boase-Beier: Przełożyć „oko wiersza”.<br /> <br /> * Magda Potok: ''Hypallage'' jako problem poetyki przekładu na przykładzie romanc Federico Garcii Lorki.<br /> <br /> * Agata Hołobut: Tłumacząc Picassa.<br /> <br /> * Michał Choński: „Szkiełko i oko” czy „czucie i wiara”? Tłumacząc ''The Aurora Borealis at Rorvik'' Tamary Yoseloff na język polski.<br /> <br /> * Katarzyna Kostorz: Czy ''the small doll'' i ''a little puppet'' to wciąż ta sama ''kukiełka''? ''Macierzyństwo'' Anny Świrszczyńskiej w przekładach Margaret Marshment i Czesława Miłosza.<br /> <br /> * Maria Piotrowska: Czy znajomość strategii jest w warsztacie każdego tłumacza niezbędna? (O strategii teoretycznie).<br /> <br /> * Piotr Blumczyński: ''Primum non nocere'', czyli uwagi warsztatowe.<br /> <br /> * Paweł Błaszczyk, Szymon Duda: Po uszy zakochani w Gnoju, czyli o zmaganiach z Kurro Himenezem słów kilka.<br /> <br /> * Wojciech Kuczok: ''Gnój'' (fragment) w przekładzie zbiorowym.<br /> <br /> * Maciej Piątek: balansując na granicy (rec. Agnieszka Romanowska ''„Hamlet” po polsku. Teatralność szekspirowskiego tekstu dramatycznego jako zagadnienie przekładoznawcze'').<br /> <br /> * NOTY O AUTORACH<br /> <br /> * ACKNOWLEDGEMENTS<br /> <br /> [[Kategoria:Spisy treści 2006]]</div>

Anna Spruch