http://katalog.czasopism.pl/index.php?action=history&feed=atom&title=Teksty_Drugie_1-2_%28109-110%29_2008 2026-04-30T18:10:39Z Historia wersji tej strony wiki MediaWiki 1.20.2 http://katalog.czasopism.pl/index.php?title=Teksty_Drugie_1-2_(109-110)_2008&diff=34931&oldid=prev 2009-01-05T21:19:23Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 21:19, 5 sty 2009</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 4:</td> <td colspan="2" class="diff-lineno">Linia 4:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Wstęp'''&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Wstęp'''&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Anna NASIŁOWSKA&lt;br /&gt; Nagość Simone de Bauvoir</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Anna NASIŁOWSKA &lt;br /&gt; Nagość Simone de Bauvoir</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> </table>

Redakcja http://katalog.czasopism.pl/index.php?title=Teksty_Drugie_1-2_(109-110)_2008&diff=34905&oldid=prev 2009-01-04T21:25:49Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 21:25, 4 sty 2009</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 9:</td> <td colspan="2" class="diff-lineno">Linia 9:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Szkice'''&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Szkice'''&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Dariusz <del class="diffchange diffchange-inline">ŒŚNIEŻKO </del>&lt;br /&gt; Pismo i głos: historia i literatura&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Dariusz <ins class="diffchange diffchange-inline">ŚNIEŻKO </ins>&lt;br /&gt; Pismo i głos: historia i literatura&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Elżbieta RYBICKA &lt;br /&gt; Miejsce, pamięć, literatura(w perspektywie geopoetyki)&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Elżbieta RYBICKA &lt;br /&gt; Miejsce, pamięć, literatura(w perspektywie geopoetyki)&lt;br /&gt;</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 17:</td> <td colspan="2" class="diff-lineno">Linia 17:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Adam F. KOLA &lt;br /&gt; Nie-klasyczna komparatystyka. W stronę nowego paradygmatu&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Adam F. KOLA &lt;br /&gt; Nie-klasyczna komparatystyka. W stronę nowego paradygmatu&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Monika <del class="diffchange diffchange-inline">ŒŚWIERKOSZ </del>&lt;br /&gt; Feminizm korporalny w badaniach literackich. Próba <del class="diffchange diffchange-inline">wyjœcia </del>poza <del class="diffchange diffchange-inline">metaforykê cielesnoœści</del>&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Monika <ins class="diffchange diffchange-inline">ŚWIERKOSZ </ins>&lt;br /&gt; Feminizm korporalny w badaniach literackich. Próba <ins class="diffchange diffchange-inline">wyjścia </ins>poza <ins class="diffchange diffchange-inline">metaforykę cielesności</ins>&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Wojciech <del class="diffchange diffchange-inline">ŚŒMIEJA </del>&lt;br /&gt; Kanon i kanony, czyli jak rozumieć pojęcie „literatura <del class="diffchange diffchange-inline">homoseksualna””</del>?&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Wojciech <ins class="diffchange diffchange-inline">ŚMIEJA </ins>&lt;br /&gt; Kanon i kanony, czyli jak rozumieć pojęcie „literatura <ins class="diffchange diffchange-inline">homoseksualna”</ins>?&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 26:</td> <td colspan="2" class="diff-lineno">Linia 26:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Jeanette SŁABY &lt;br /&gt; Stereotypy macierzyństwa w prozie Anny Nasiłowskiej i Manueli Gretkowskiej&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Jeanette SŁABY &lt;br /&gt; Stereotypy macierzyństwa w prozie Anny Nasiłowskiej i Manueli Gretkowskiej&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Magdalena MATYSEK-IMIELIŃSKA &lt;br /&gt; Wszystko, co <del class="diffchange diffchange-inline">chcielibyœście </del>wiedzieć o płci,</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Magdalena MATYSEK-IMIELIŃSKA &lt;br /&gt; Wszystko, co <ins class="diffchange diffchange-inline">chcielibyście </ins>wiedzieć o płci,</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>ale wstydzicie się zapytać, czyli <del class="diffchange diffchange-inline">„„zagadka </del>drugiej <del class="diffchange diffchange-inline">płci”” </del>według Pawła Dybla&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>ale wstydzicie się zapytać, czyli <ins class="diffchange diffchange-inline">„zagadka </ins>drugiej <ins class="diffchange diffchange-inline">płci” </ins>według Pawła Dybla&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Tomasz PAWLUS &lt;br /&gt; O kobiecie <del class="diffchange diffchange-inline">„„upadłej”” </del>pisanie&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Tomasz PAWLUS &lt;br /&gt; O kobiecie <ins class="diffchange diffchange-inline">„upadłej” </ins>pisanie&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Elżbieta WINIECKA&#160; &lt;br /&gt; Perspektywy tropologii&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Elżbieta WINIECKA&#160; &lt;br /&gt; Perspektywy tropologii&lt;br /&gt;</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 46:</td> <td colspan="2" class="diff-lineno">Linia 46:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Danuta ULICKA &lt;br /&gt; Tradycje nowoczesnego literaturoznawstwa polskiego&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Danuta ULICKA &lt;br /&gt; Tradycje nowoczesnego literaturoznawstwa polskiego&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Seweryna WYSŁOUCH &lt;br /&gt; <del class="diffchange diffchange-inline">Przekreœślona </del>tradycja.Tadeusz Grabowski i poznańskie Koło Polonistów&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Seweryna WYSŁOUCH &lt;br /&gt; <ins class="diffchange diffchange-inline">Przekreślona </ins>tradycja. Tadeusz Grabowski i poznańskie Koło Polonistów&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Stanowiska'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Stanowiska'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Adam DZIADEK &lt;br /&gt; Atopia <del class="diffchange diffchange-inline">– stadnoœść </del>i <del class="diffchange diffchange-inline">jednostkowoœść</del>&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Adam DZIADEK &lt;br /&gt; Atopia <ins class="diffchange diffchange-inline">– stadność </ins>i <ins class="diffchange diffchange-inline">jednostkowość</ins>&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Joanna JEZIORSKA-HAŁADYJ &lt;br /&gt; Dialog jako wykładnik fikcji&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Joanna JEZIORSKA-HAŁADYJ &lt;br /&gt; Dialog jako wykładnik fikcji&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Małgorzata BOGACZYK-VORMAYR &lt;br /&gt; Wszystko jest Tekstem? <del class="diffchange diffchange-inline">Hipertekstualnoœść</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Małgorzata BOGACZYK-VORMAYR &lt;br /&gt; Wszystko jest Tekstem? <ins class="diffchange diffchange-inline">Hipertekstualność</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>jako nowe <del class="diffchange diffchange-inline">doœświadczenie </del>literatury&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>jako nowe <ins class="diffchange diffchange-inline">doświadczenie </ins>literatury&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Narracje'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Narracje'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Anna WIECZORKIEWICZ &lt;br /&gt; <del class="diffchange diffchange-inline">„„Złączone </del>na <del class="diffchange diffchange-inline">śœmierć </del>i <del class="diffchange diffchange-inline">życie””</del>. <del class="diffchange diffchange-inline">BliźŸniaczki </del>syjamskie jako figury retoryki kulturowej, społecznej i politycznej&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Anna WIECZORKIEWICZ &lt;br /&gt; <ins class="diffchange diffchange-inline">„Złączone </ins>na <ins class="diffchange diffchange-inline">śmierć </ins>i <ins class="diffchange diffchange-inline">życie”</ins>. <ins class="diffchange diffchange-inline">Bliźniaczki </ins>syjamskie jako figury retoryki kulturowej, społecznej i politycznej&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Przechadzki'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Przechadzki'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Agnieszka FULIŃSKA &lt;br /&gt; Mit, <del class="diffchange diffchange-inline">naœśladowanie </del>i <del class="diffchange diffchange-inline">„„postfiguracja””</del>. Propozycja kategorii opisu współczesnej kultury popularnej&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Agnieszka FULIŃSKA &lt;br /&gt; Mit, <ins class="diffchange diffchange-inline">naśladowanie </ins>i <ins class="diffchange diffchange-inline">„postfiguracja”</ins>. Propozycja kategorii opisu współczesnej kultury popularnej&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 72:</td> <td colspan="2" class="diff-lineno">Linia 72:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Łukasz GARBAL, Dorota SZCZERBA &lt;br /&gt; Nota edytorska do reedycji miesięcznika</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Łukasz GARBAL, Dorota SZCZERBA &lt;br /&gt; Nota edytorska do reedycji miesięcznika</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">„„Europa””</del>&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">„Europa”</ins>&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> </table>

Redakcja http://katalog.czasopism.pl/index.php?title=Teksty_Drugie_1-2_(109-110)_2008&diff=34904&oldid=prev 2009-01-04T20:36:31Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 20:36, 4 sty 2009</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 19:</td> <td colspan="2" class="diff-lineno">Linia 19:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Monika ŒŚWIERKOSZ &lt;br /&gt; Feminizm korporalny w badaniach literackich. Próba wyjœcia poza metaforykê cielesnoœści&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Monika ŒŚWIERKOSZ &lt;br /&gt; Feminizm korporalny w badaniach literackich. Próba wyjœcia poza metaforykê cielesnoœści&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Wojciech ŚŒMIEJA &lt;br /&gt; Kanon i kanony, czyli jak rozumieć pojęcie <del class="diffchange diffchange-inline">&quot;literatura homoseksualna&quot;”</del>?&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Wojciech ŚŒMIEJA &lt;br /&gt; Kanon i kanony, czyli jak rozumieć pojęcie <ins class="diffchange diffchange-inline">„literatura homoseksualna””</ins>?&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 26:</td> <td colspan="2" class="diff-lineno">Linia 26:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Jeanette SŁABY &lt;br /&gt; Stereotypy macierzyństwa w prozie Anny Nasiłowskiej i Manueli Gretkowskiej&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Jeanette SŁABY &lt;br /&gt; Stereotypy macierzyństwa w prozie Anny Nasiłowskiej i Manueli Gretkowskiej&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Magdalena MATYSEK-IMIELIŃSKA &lt;br /&gt; Wszystko, co <del class="diffchange diffchange-inline">chcielibyœcie wiedzieæ </del>o płci,</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Magdalena MATYSEK-IMIELIŃSKA &lt;br /&gt; Wszystko, co <ins class="diffchange diffchange-inline">chcielibyœście wiedzieć </ins>o płci,</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>ale wstydzicie się zapytać, czyli <del class="diffchange diffchange-inline">„zagadka </del>drugiej <del class="diffchange diffchange-inline">płci” </del>według Pawła Dybla&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>ale wstydzicie się zapytać, czyli <ins class="diffchange diffchange-inline">„„zagadka </ins>drugiej <ins class="diffchange diffchange-inline">płci”” </ins>według Pawła Dybla&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Tomasz PAWLUS &lt;br /&gt; O kobiecie <del class="diffchange diffchange-inline">„upadłej” </del>pisanie&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Tomasz PAWLUS &lt;br /&gt; O kobiecie <ins class="diffchange diffchange-inline">„„upadłej”” </ins>pisanie&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Elżbieta WINIECKA&#160; &lt;br /&gt; Perspektywy tropologii&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>Elżbieta WINIECKA&#160; &lt;br /&gt; Perspektywy tropologii&lt;br /&gt;</div></td></tr> <tr><td colspan="2" class="diff-lineno">Linia 61:</td> <td colspan="2" class="diff-lineno">Linia 61:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Narracje'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Narracje'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Anna WIECZORKIEWICZ &lt;br /&gt; <del class="diffchange diffchange-inline">„Złączone </del>na śœmierć i <del class="diffchange diffchange-inline">życie”</del>. BliźŸniaczki syjamskie jako figury retoryki kulturowej, społecznej i politycznej&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Anna WIECZORKIEWICZ &lt;br /&gt; <ins class="diffchange diffchange-inline">„„Złączone </ins>na śœmierć i <ins class="diffchange diffchange-inline">życie””</ins>. BliźŸniaczki syjamskie jako figury retoryki kulturowej, społecznej i politycznej&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Przechadzki'''</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Przechadzki'''</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Agnieszka FULIŃSKA &lt;br /&gt; Mit, naœśladowanie i <del class="diffchange diffchange-inline">„postfiguracja”</del>. Propozycja kategorii opisu współczesnej kultury popularnej&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Agnieszka FULIŃSKA &lt;br /&gt; Mit, naœśladowanie i <ins class="diffchange diffchange-inline">„„postfiguracja””</ins>. Propozycja kategorii opisu współczesnej kultury popularnej&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> </table>

Redakcja http://katalog.czasopism.pl/index.php?title=Teksty_Drugie_1-2_(109-110)_2008&diff=34903&oldid=prev 2009-01-04T20:21:10Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black;">← poprzednia wersja</td> <td colspan='2' style="background-color: white; color:black;">Wersja z 20:21, 4 sty 2009</td> </tr><tr><td colspan="2" class="diff-lineno">Linia 1:</td> <td colspan="2" class="diff-lineno">Linia 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Przejdź do [[ Teksty Drugie ]] lub [[:Kategoria:Spisy treści <del class="diffchange diffchange-inline">2007</del>|Spisy treści 2008]]&lt;br /&gt;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Przejdź do [[ Teksty Drugie ]] lub [[:Kategoria:Spisy treści <ins class="diffchange diffchange-inline">2008</ins>|Spisy treści 2008]]&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td></tr> <tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>&#160;</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">[[Image:Teksty_Drugie_1-2_08.jpg|thumb|160px|okładka numeru &lt;br /&gt;1 (109-110) 2008]]</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Wstęp'''&lt;br /&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Wstęp'''&lt;br /&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'>&#160;</td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> </table>

Redakcja http://katalog.czasopism.pl/index.php?title=Teksty_Drugie_1-2_(109-110)_2008&diff=34901&oldid=prev 2009-01-04T20:13:54Z

<p>Nowa strona: Przejdź do <a href="/index.php/Teksty_Drugie" title="Teksty Drugie"> Teksty Drugie </a> lub <a href="/index.php/Kategoria:Spisy_tre%C5%9Bci_2007" title="Kategoria:Spisy treści 2007">Spisy treści 2008</a>&lt;br /&gt; ---- &#039;&#039;&#039;Wstęp&#039;&#039;&#039;&lt;br /&gt; Anna NASIŁOWSKA&lt;br /&gt; Nagość Simone de Bauvoir &#039;&#039;&#039;Szkice&#039;...</p> <p><b>Nowa strona</b></p><div>Przejdź do [[ Teksty Drugie ]] lub [[:Kategoria:Spisy treści 2007|Spisy treści 2008]]&lt;br /&gt;<br /> ----<br /> <br /> '''Wstęp'''&lt;br /&gt;<br /> <br /> Anna NASIŁOWSKA&lt;br /&gt; Nagość Simone de Bauvoir<br /> <br /> <br /> '''Szkice'''&lt;br /&gt;<br /> <br /> Dariusz ŒŚNIEŻKO &lt;br /&gt; Pismo i głos: historia i literatura&lt;br /&gt;<br /> <br /> Elżbieta RYBICKA &lt;br /&gt; Miejsce, pamięć, literatura(w perspektywie geopoetyki)&lt;br /&gt;<br /> <br /> Dariusz SKÓRCZEWSKI &lt;br /&gt; Wobec eurocentryzmu, dekolonizacji i postmodernizmu. O niektórych problemach teorii postkolonialnej i jej polskich perspektywach&lt;br /&gt;<br /> <br /> Adam F. KOLA &lt;br /&gt; Nie-klasyczna komparatystyka. W stronę nowego paradygmatu&lt;br /&gt;<br /> <br /> Monika ŒŚWIERKOSZ &lt;br /&gt; Feminizm korporalny w badaniach literackich. Próba wyjœcia poza metaforykê cielesnoœści&lt;br /&gt;<br /> <br /> Wojciech ŚŒMIEJA &lt;br /&gt; Kanon i kanony, czyli jak rozumieć pojęcie &quot;literatura homoseksualna&quot;”?&lt;br /&gt;<br /> <br /> <br /> '''Roztrząsania i rozbiory'''&lt;br /&gt;<br /> <br /> Jeanette SŁABY &lt;br /&gt; Stereotypy macierzyństwa w prozie Anny Nasiłowskiej i Manueli Gretkowskiej&lt;br /&gt;<br /> <br /> Magdalena MATYSEK-IMIELIŃSKA &lt;br /&gt; Wszystko, co chcielibyœcie wiedzieæ o płci,<br /> ale wstydzicie się zapytać, czyli „zagadka drugiej płci” według Pawła Dybla&lt;br /&gt;<br /> <br /> Tomasz PAWLUS &lt;br /&gt; O kobiecie „upadłej” pisanie&lt;br /&gt;<br /> <br /> Elżbieta WINIECKA &lt;br /&gt; Perspektywy tropologii&lt;br /&gt;<br /> <br /> Hanna JAXA-RÓŻEN &lt;br /&gt; Staropolskie siostry Szekspira&lt;br /&gt;<br /> <br /> <br /> '''Prezentacje'''&lt;br /&gt;<br /> <br /> Richard SHUSTERMAN &lt;br /&gt; Somatoestetyka i Druga płeć. Pragmatystyczne<br /> odczytanie arcydzieła feminizmu Przeł. Wojciech Małecki&lt;br /&gt;<br /> <br /> <br /> '''Opinie'''&lt;br /&gt;<br /> <br /> Danuta ULICKA &lt;br /&gt; Tradycje nowoczesnego literaturoznawstwa polskiego&lt;br /&gt;<br /> <br /> Seweryna WYSŁOUCH &lt;br /&gt; Przekreœślona tradycja.Tadeusz Grabowski i poznańskie Koło Polonistów&lt;br /&gt;<br /> <br /> <br /> '''Stanowiska'''<br /> <br /> Adam DZIADEK &lt;br /&gt; Atopia – stadnoœść i jednostkowoœść&lt;br /&gt;<br /> <br /> Joanna JEZIORSKA-HAŁADYJ &lt;br /&gt; Dialog jako wykładnik fikcji&lt;br /&gt;<br /> <br /> Małgorzata BOGACZYK-VORMAYR &lt;br /&gt; Wszystko jest Tekstem? Hipertekstualnoœść<br /> jako nowe doœświadczenie literatury&lt;br /&gt;<br /> <br /> <br /> '''Narracje'''<br /> <br /> Anna WIECZORKIEWICZ &lt;br /&gt; „Złączone na śœmierć i życie”. BliźŸniaczki syjamskie jako figury retoryki kulturowej, społecznej i politycznej&lt;br /&gt;<br /> <br /> <br /> '''Przechadzki'''<br /> <br /> Agnieszka FULIŃSKA &lt;br /&gt; Mit, naœśladowanie i „postfiguracja”. Propozycja kategorii opisu współczesnej kultury popularnej&lt;br /&gt;<br /> <br /> <br /> '''Świadectwa'''<br /> <br /> Łukasz GARBAL, Dorota SZCZERBA &lt;br /&gt; Nota edytorska do reedycji miesięcznika<br /> „„Europa””&lt;br /&gt;<br /> <br /> <br /> '''Pożegnania'''<br /> <br /> Izabela JAROSIŃSKA &lt;br /&gt; Pani Krysia i Biuletyn&lt;br /&gt;<br /> <br /> '''Noty o autorach'''<br /> <br /> [[Kategoria:Spisy treści 2008]]</div>

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