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Muzyka 1/2008: Różnice pomiędzy wersjami

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(Nowa strona: '''"Sonoristic Legacies. Towards New Paradigms in Music Theory, Aesthetics and Composition"''' Zbigniew Granat Editorial '''Articles''' Adrian Thomas Boundaries and Definitions: The ...)
 
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'''"Sonoristic Legacies.
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<b>"Sonoristic Legacies.<br>
Towards New Paradigms in Music Theory, Aesthetics and Composition"'''
+
Towards New Paradigms in Music Theory, Aesthetics and Composition"</b>
  
Zbigniew Granat
+
Zbigniew Granat<br>
 
Editorial
 
Editorial
  
 
'''Articles'''
 
'''Articles'''
  
Adrian Thomas
+
Adrian Thomas<br>
 
Boundaries and Definitions: The Compositional Realities of Polish Sonorism  
 
Boundaries and Definitions: The Compositional Realities of Polish Sonorism  
  
Maciej Gołąb
+
Maciej Gołąb<br>
 
The Evolution of Józef M. Chomiński's Theory of Sonology: An Assesment
 
The Evolution of Józef M. Chomiński's Theory of Sonology: An Assesment
  
Zbigniew Granat
+
Zbigniew Granat<br>
 
The Concept of Transformation as a Sonoristic Paradigm  
 
The Concept of Transformation as a Sonoristic Paradigm  
  
Iwona Lindstedt
+
Iwona Lindstedt<br>
 
How to Analyze Sonoristic Music? Perspectives for the Development of Józef M. Chomiński's Theory of Sonology  
 
How to Analyze Sonoristic Music? Perspectives for the Development of Józef M. Chomiński's Theory of Sonology  
  
Alicja Jarzębska
+
Alicja Jarzębska<br>
 
Sonorism: Positivist and Cognitive Approaches to the Problem of Sounds
 
Sonorism: Positivist and Cognitive Approaches to the Problem of Sounds
  
Anna Masłowiec
+
Anna Masłowiec<br>
 
Sonorism: Footprints and Fingerprints  
 
Sonorism: Footprints and Fingerprints  
  
Carl Humphries
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Carl Humphries<br>
 
Sonorism and Sonoristics in the Music of Witold Szalonek: Problems of Analysis and Interpretation  
 
Sonorism and Sonoristics in the Music of Witold Szalonek: Problems of Analysis and Interpretation  
  
Jadwiga Paja-Stach
+
Jadwiga Paja-Stach<br>
 
Relationships of Kazimierz Serocki's Music with Sonorism  
 
Relationships of Kazimierz Serocki's Music with Sonorism  
  
Laura Dolp
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Laura Dolp<br>
 
Sonoristic Space in Mahler's First Symphony  
 
Sonoristic Space in Mahler's First Symphony  
  
Tim Rutherford-Johnson
+
Tim Rutherford-Johnson<br>
The St Luke Passion as Britain’s First Encounter with Sonorism
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The St Luke Passion as Britain's First Encounter with Sonorism

Wersja z 14:37, 28 paź 2008

"Sonoristic Legacies.
Towards New Paradigms in Music Theory, Aesthetics and Composition"

Zbigniew Granat
Editorial

Articles

Adrian Thomas
Boundaries and Definitions: The Compositional Realities of Polish Sonorism

Maciej Gołąb
The Evolution of Józef M. Chomiński's Theory of Sonology: An Assesment

Zbigniew Granat
The Concept of Transformation as a Sonoristic Paradigm

Iwona Lindstedt
How to Analyze Sonoristic Music? Perspectives for the Development of Józef M. Chomiński's Theory of Sonology

Alicja Jarzębska
Sonorism: Positivist and Cognitive Approaches to the Problem of Sounds

Anna Masłowiec
Sonorism: Footprints and Fingerprints

Carl Humphries
Sonorism and Sonoristics in the Music of Witold Szalonek: Problems of Analysis and Interpretation

Jadwiga Paja-Stach
Relationships of Kazimierz Serocki's Music with Sonorism

Laura Dolp
Sonoristic Space in Mahler's First Symphony

Tim Rutherford-Johnson
The St Luke Passion as Britain's First Encounter with Sonorism