Muzyka 1/2008: Różnice pomiędzy wersjami
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<b>"Sonoristic Legacies.<br> | <b>"Sonoristic Legacies.<br> | ||
Towards New Paradigms in Music Theory, Aesthetics and Composition"</b> | Towards New Paradigms in Music Theory, Aesthetics and Composition"</b> | ||
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Tim Rutherford-Johnson<br> | Tim Rutherford-Johnson<br> | ||
The St Luke Passion as Britain's First Encounter with Sonorism | The St Luke Passion as Britain's First Encounter with Sonorism | ||
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| + | [[Kategoria: Spisy treści 2008]] | ||
Wersja z 20:39, 28 paź 2008
Przejdź do Muzyka lub Spisy treści 2007
"Sonoristic Legacies.
Towards New Paradigms in Music Theory, Aesthetics and Composition"
Zbigniew Granat
Editorial
Articles
Adrian Thomas
Boundaries and Definitions: The Compositional Realities of Polish Sonorism
Maciej Gołąb
The Evolution of Józef M. Chomiński's Theory of Sonology: An Assesment
Zbigniew Granat
The Concept of Transformation as a Sonoristic Paradigm
Iwona Lindstedt
How to Analyze Sonoristic Music? Perspectives for the Development of Józef M. Chomiński's Theory of Sonology
Alicja Jarzębska
Sonorism: Positivist and Cognitive Approaches to the Problem of Sounds
Anna Masłowiec
Sonorism: Footprints and Fingerprints
Carl Humphries
Sonorism and Sonoristics in the Music of Witold Szalonek: Problems of Analysis and Interpretation
Jadwiga Paja-Stach
Relationships of Kazimierz Serocki's Music with Sonorism
Laura Dolp
Sonoristic Space in Mahler's First Symphony
Tim Rutherford-Johnson
The St Luke Passion as Britain's First Encounter with Sonorism